by Annette Gordon-Reed & Peter S. Onuf ‧ RELEASE DATE: April 13, 2016
An elegant, astute study that is both readable and thematically rich.
A portrait of Thomas Jefferson’s passionate belief in Enlightenment values and how it determined his personal character and that of the young nation.
Pulitzer Prize and National Book Award winner Gordon-Reed (American Legal History/Harvard Law School; The Hemingses of Monticello, 2009, etc.) and Onuf (Emeritus, History/Univ. of Virginia; The Mind of Thomas Jefferson, 2007, etc.) are fascinated by the many shifting “selves” of Jefferson: father, husband, slave owner, diplomat, politician, and cosmopolitan. His broad sense of himself as “the most blessed of patriarchs” is both a beautiful notion and mostly correct as well as a patronizing illusion considering that he was the master of numerous slaves at his Monticello plantation and, literally, their father. In this meticulously documented work exploring Jefferson’s many roles in life, the authors take the great man at his word rather than how they think he ought to be: “We instead seek to understand what Thomas Jefferson thought he was doing in the world.” Subsequently, the work proves to be a subtle, intriguing study of his Enlightenment ideals, beginning with his great hope in his fellow white Virginians as the ideal republicans who (with his help) abolished primogeniture, possessed a “fruitful attachment to land,” and “knitted together…tender attachments,” such as strategic arranged marriages among the upper class. However, his vision was problematic since he and his observant granddaughter Ellen, who lived for a spell in the North, documented well the differences between the slothful Southern temperament and the Northern industrious one, while the ills of slavery, which Jefferson himself wrote about in Notes on the State of Virginia, would not go away—and indeed, his own ties to the Hemingses could not be hidden. The authors make some trenchant observations regarding the effects of living in France on Jefferson’s tempering of the republican ideals, in showing him both the dangers of extremism and the hope of “ameliorating” his slaves’ conditions by incorporating them into his patriarchal family.
An elegant, astute study that is both readable and thematically rich.Pub Date: April 13, 2016
ISBN: 978-0-87140-442-8
Page Count: 320
Publisher: Liveright/Norton
Review Posted Online: Jan. 9, 2016
Kirkus Reviews Issue: Jan. 15, 2016
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Reyna Grande ‧ RELEASE DATE: Aug. 28, 2012
A standout immigrant coming-of-age story.
In her first nonfiction book, novelist Grande (Dancing with Butterflies, 2009, etc.) delves into her family’s cycle of separation and reunification.
Raised in poverty so severe that spaghetti reminded her of the tapeworms endemic to children in her Mexican hometown, the author is her family’s only college graduate and writer, whose honors include an American Book Award and International Latino Book Award. Though she was too young to remember her father when he entered the United States illegally seeking money to improve life for his family, she idolized him from afar. However, she also blamed him for taking away her mother after he sent for her when the author was not yet 5 years old. Though she emulated her sister, she ultimately answered to herself, and both siblings constantly sought affirmation of their parents’ love, whether they were present or not. When one caused disappointment, the siblings focused their hopes on the other. These contradictions prove to be the narrator’s hallmarks, as she consistently displays a fierce willingness to ask tough questions, accept startling answers, and candidly render emotional and physical violence. Even as a girl, Grande understood the redemptive power of language to define—in the U.S., her name’s literal translation, “big queen,” led to ridicule from other children—and to complicate. In spelling class, when a teacher used the sentence “my mamá loves me” (mi mamá me ama), Grande decided to “rearrange the words so that they formed a question: ¿Me ama mi mamá? Does my mama love me?”
A standout immigrant coming-of-age story.Pub Date: Aug. 28, 2012
ISBN: 978-1-4516-6177-4
Page Count: 320
Publisher: Atria
Review Posted Online: June 11, 2012
Kirkus Reviews Issue: July 1, 2012
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by Joshua Davis ; adapted by Reyna Grande
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edited by Reyna Grande & Sonia Guiñansaca
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by Reyna Grande
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