Not nearly as ingenious as Horowitz’s meta-whodunits but well above average among post–Ian Fleming Bonds.
Horowitz completes his James Bond trilogy—begun in Trigger Mortis (2015) and Forever and a Day (2018)—by providing what would be the nonpareil British spy’s final adventure if only all those other earlier scribes hadn’t preceded him at the feast.
Brought back home in 1964 after executing Francisco Scaramanga in Jamaica in order to fake the assassination of M, his longtime superior in the Secret Intelligence Service, Bond performs so well that everyone who knows the actual position of Adm. Sir Miles Messervy—perhaps 50 people all told—is fooled into thinking that he’s dead. This fraud only lays the groundwork for Bond’s real job: to continue pretending that he remains indoctrinated by the Soviets aligned with Scaramanga in order to infiltrate the ranks of Stalnaya Ruka, a cabal of officers in the USSR who are clearly up to no good. Accordingly, he lets himself be abducted out from under the English officers who clearly hate him for killing Sir Miles, though this deception is trickier than it looks. Whisked off to Leningrad, he’s drugged and interrogated by his old nemesis Col. Boris, who’s far from convinced that Bond has set queen and country aside for the Soviet Union. The colonel assigns clinical psychiatrist Katya Leonova to stick close to Bond, becoming his friend, his confidante, and, if necessary, his lover. From this point on the plot proceeds in a much straighter line, though Horowitz can’t resist several additional twists, the most notable of them the identity of the target Bond’s new masters send him to East Berlin to eliminate.
Not nearly as ingenious as Horowitz’s meta-whodunits but well above average among post–Ian Fleming Bonds.Pub Date: May 24, 2022
ISBN: 978-0-06-307-841-3
Page Count: 288
Publisher: Harper/HarperCollins
Review Posted Online: April 11, 2022
Kirkus Reviews Issue: May 1, 2022
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Answers are hard to come by in this twisting tale designed to trick and delight.
Three siblings on very different paths learn that their family home may be haunted by secrets.
Eldest daughter Beth is alone with her fading mother as she takes her final breath and says something about Beth’s long-departed brother and sister, who may not have disappeared forever. Beth is still reeling from the loss of her mother when her estranged siblings show up. Michael, the youngest, hasn’t been home since their father’s disappearance seven years ago. In the meantime, he’s outgrown his siblings, trading his share of the family troubles for a high-paying job in San Jose. Nicole, the middle child, has been overpowered by addiction and prioritized tuning out reality over any sense of responsibility, much to Beth’s disgust. Though their mother’s death marks an ending for the family, it’s also a beginning, as the three siblings realize when they find a disturbing videotape among their parents’ belongings. The video, from 1999, sheds suspicion on their father’s disappearance, linking it to a long-unsolved neighborhood mystery. Was it just a series of unfortunate circumstances that broke the family apart, or does something more sinister underlie the sadness they’ve all found in life? In chapters that rotate among the family’s first-person narratives, the siblings take turns digging up stories and secrets in their search for solace.
Answers are hard to come by in this twisting tale designed to trick and delight.Pub Date: April 30, 2024
ISBN: 9798212182843
Page Count: 270
Publisher: Blackstone
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
BOOK REVIEW
BOOK REVIEW
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