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FIRST LIE WINS

A genuine page-turner.

A professional con woman quickly realizes her latest job has become more personal and dangerous than planned.

Evie Porter (not her real name) is on a job in Louisiana and has successfully convinced her latest mark, Ryan Sumner, to fall for her in a whirlwind romance. All seems to be going well with Evie's investigation into Ryan's side business, a trucking company moving black market goods, until Evie meets a woman dating one of Ryan’s friends who introduces herself as Lucca Marino—Evie’s actual name. When imposter Lucca dies in a fiery car wreck and the police question Evie and Ryan as the last people to see her, an outstanding warrant pops for Evelyn Porter's arrest (though there should be no such history). It’s then that Evie understands that her current job is actually a test from her employer, Mr. Smith, who was unhappy after she busted her last assignment, and the stakes are much higher than she’d anticipated. To keep herself out of jail, Evie must pull in every favor she has accumulated during her career to outwit Mr. Smith, but she will have to first discern whether she can trust Ryan or if she has to cut and run if she wants any hope for a future. Interspersed with the current adventure are flashbacks that start 10 years earlier in which Evie recalls committing petty theft at the country club in a desperate bid for cash to pay for her mother’s cancer treatments during high school, being connected with Mr. Smith when she was caught, and the progression of jobs since then in which a host of lively side characters are introduced. YA writer Elston’s adult debut announces itself as a savvy thriller with intrigue and momentum from the first twist of Lucca’s arrival right up until the final showdowns. Evie is a smart and engaging protagonist, and her time on the run is anything but predictable.

A genuine page-turner.

Pub Date: Jan. 2, 2024

ISBN: 9780593492918

Page Count: 352

Publisher: Pamela Dorman/Viking

Review Posted Online: Oct. 7, 2023

Kirkus Reviews Issue: Nov. 1, 2023

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HOME IS WHERE THE BODIES ARE

Answers are hard to come by in this twisting tale designed to trick and delight.

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  • New York Times Bestseller

Three siblings on very different paths learn that their family home may be haunted by secrets.

Eldest daughter Beth is alone with her fading mother as she takes her final breath and says something about Beth’s long-departed brother and sister, who may not have disappeared forever. Beth is still reeling from the loss of her mother when her estranged siblings show up. Michael, the youngest, hasn’t been home since their father’s disappearance seven years ago. In the meantime, he’s outgrown his siblings, trading his share of the family troubles for a high-paying job in San Jose. Nicole, the middle child, has been overpowered by addiction and prioritized tuning out reality over any sense of responsibility, much to Beth’s disgust. Though their mother’s death marks an ending for the family, it’s also a beginning, as the three siblings realize when they find a disturbing videotape among their parents’ belongings. The video, from 1999, sheds suspicion on their father’s disappearance, linking it to a long-unsolved neighborhood mystery. Was it just a series of unfortunate circumstances that broke the family apart, or does something more sinister underlie the sadness they’ve all found in life? In chapters that rotate among the family’s first-person narratives, the siblings take turns digging up stories and secrets in their search for solace.

Answers are hard to come by in this twisting tale designed to trick and delight.

Pub Date: April 30, 2024

ISBN: 9798212182843

Page Count: 270

Publisher: Blackstone

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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