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STEPPING TO A NEW DAY

A BLESSINGS NOVEL

An achingly sweet feel-good story of love and redemption of all kinds.

Every generation in a small town has its own drama, and everyone has his or her own way of getting through it.

It’s time to catch up with the good people of Henry Adams, Kansas. In the seventh Blessings installment, Jenkins (Forbidden, 2016, etc.) focuses on TC and Genevieve, who are reinventing themselves in their 60s. Our romantic leads both strive toward new goals: TC to start fresh in a new town and to improve his reading, and Genevieve to become a stronger, truer person, to herself and to others. Their determination is fortified by their adorable day-to-day interactions, whether it is shared silence on a drive or one building up the courage to ask the other to lunch. This little Utopia isn’t without its problems, of course, including lifelong grudges and con artists. And while there is a romance at the center, there are all kinds of relationships here. Nineteen-year-old Eli, having expressed the loss of his mother in the worst ways, works to reconcile with his father. Pastor and child psychologist Paula has to face her own demons after learning that her grandfather, who raised her, has died. And Genevieve's best friend, Marie, has to figure out how to fix their relationship after a self-inflicted isolation. Other names and faces pop in and out, giving us glimpses of past and future stories. Some are deliberately left open, but we know Jenkins will return to tell new ones about the people of Henry Adams. Her style is familiar and cozy, and Jenkins knows how to distinguish her characters’ voices so as not to confuse readers by the whirlwind changes in perspective. She's also good at weaving in back story so new readers will find themselves at home. It's easy to lose hours at a time caught up in this book.

An achingly sweet feel-good story of love and redemption of all kinds.

Pub Date: June 28, 2016

ISBN: 978-0-06-241263-8

Page Count: 304

Publisher: Morrow/HarperCollins

Review Posted Online: April 12, 2016

Kirkus Reviews Issue: May 1, 2016

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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FIREFLY LANE

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...

Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.

Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.

Pub Date: Feb. 1, 2008

ISBN: 978-0-312-36408-3

Page Count: 496

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2007

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