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CRUEL BEAUTIFUL WORLD

A capable, readable, empathetic novel, yet its impact is minimal.

The new novel from an established chronicler of family crises explores secrets and bonds connecting two orphaned sisters and the “very distantly related” woman who raised them.

Charlotte Gold is the serious older sibling, characterized by shyness and smarts; Lucy is 18 months younger, less academic but prettier and a live wire. Orphaned when Lucy is 5, the sisters find a new home in Waltham, Massachusetts, with Iris, who they think is their aunt though in fact she’s their half sister. Leavitt’s (Family, 2014, etc.) 11th novel reconfigures some themes familiar from her recent work—parenting, disappearance, death—into a solid, sympathetic tale with few surprises except when it strays into thriller territory. Despite differing natures, all three women share the experience of isolation—Charlotte when she takes up her scholarship to Brandeis only to find herself lonely and anxious; Lucy when she absconds at age 16 with a teacher, William, and settles into a numbingly solitary routine in a remote corner of Pennsylvania; and Iris in the early days of her impulsive marriage to a kindly soldier with a secret. They all take turns in the spotlight, but it’s Charlotte who eventually comes to the fore as she explores the enigma of her sister’s actions, connecting in the process with Patrick, Lucy’s only friend in Pennsylvania and a man with a “past.” Leavitt does a confident, efficient job of assembling her characters and moving them along their trajectories, yet there’s a sense of mechanical accomplishment to it all. Her real fascination is with sifting inner landscapes, tracking the suffering and fulfillment of her ensemble. Everything else (including the early 1970s setting) reads like a means to an end.

A capable, readable, empathetic novel, yet its impact is minimal.

Pub Date: Oct. 4, 2016

ISBN: 978-1-61620-363-4

Page Count: 368

Publisher: Algonquin

Review Posted Online: July 18, 2016

Kirkus Reviews Issue: Aug. 1, 2016

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE TATTOOIST OF AUSCHWITZ

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

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An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 16, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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