Outdoor enthusiasts will celebrate this brave young heroine as she schools the town on acceptance.
A lanky, little explorer paddles her canoe on a lake and inadvertently sings up a huge, green beast.
All the other boaters scatter in a panicked frenzy, but later that night, under a moonlit sky, Hattie McFadden returns to the middle of the still lake. Without the distraction of motor boats, the white redhead takes the time to befriend Hudson. The next day, the townsfolk meet to suggest ways to get rid of “the Deadly Beast.” Dismayed, Hattie thinks, “If only they knew him.” The two new friends put together a plan to convince the town of Hudson’s kindness. Hattie bravely finds her voice and makes an announcement to the town: “This lake is his home, and I think he deserves to stay. Once you get to know him, I’m sure you’ll agree.” The glory of lakeshore life is celebrated as idyllic, with lush forests and hills and cool blue water. An undercurrent of environmentalism is present in the symbolic canoe compared to motorboats, and the message of getting to know strangers is a timely one. The gouache illustrations are filled with details that bring light and life to the pages, from each water droplet to every rolled-up sleeve. Hudson, although enormous, is drawn with expressive eyes and a lovely green hue that reflects the stars in the sky, and Van Dusen expertly takes advantage of perspective and composition to make sure readers remember at all times exactly how huge Hudson is.
Outdoor enthusiasts will celebrate this brave young heroine as she schools the town on acceptance. (Picture book. 4-8)Pub Date: May 9, 2017
ISBN: 978-0-7636-6545-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Feb. 13, 2017
Kirkus Reviews Issue: March 1, 2017
BOOK REVIEW
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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