A moving portrait of a presidency and its top speechwriter.
A pertinent chronicle of the making of a president’s messages.
Keenan, who served as Barack Obama’s chief speechwriter, makes an absorbing book debut with an insider’s view of the pressured, often “fucking terrifying” workings within the White House, where he and his staff routinely put in 12-hour days, holed up in the basement “Speechcave,” crafting the president’s public statements. While focusing on 10 days in June 2015, when he worked on several high-stakes speeches, Keenan recounts his entire career, beginning in 2002, when he became an intern for Sen. Ted Kennedy, through to his promotion to Obama’s chief speechwriter in 2013. The author’s first chance at speechwriting came with Kennedy, whom Keenan praises as a public servant “of the old breed who saw politics as a noble calling, an effort that kept differences of philosophy from becoming barriers to cooperation.” When Obama entered the 2008 presidential race, Keenan’s speeches for Kennedy earned him a place in the campaign—and on Obama’s staff. In 2011, assigned to write Obama’s eulogy for those killed in the shooting that wounded Gabby Giffords, Keenan admits, “I was terrified. It would be my first prime-time, nationally televised speech” and one that “needed to stand as a surprising, hopeful, and even joyous celebration of the way the people who died had lived their lives.” The speeches that occupied him in June 2015 were equally significant: responses to the Supreme Court decision on the Affordable Care Act, same-sex marriage, and the shooting at Charleston’s Mother Emanuel Church that killed nine people, including the pastor, Clementa Pinckney. Keenan portrays Obama as a perfectionist with clear aims for tone and content. Multiple drafts, edits, and rewrites resulted in the soaring rhetoric for which the former president was noted. In his eulogy for Pinckney, “Grace was what Obama wanted to talk about…the quiet grace that sets a louder example than any shout of hatred.”
A moving portrait of a presidency and its top speechwriter.Pub Date: Oct. 4, 2022
ISBN: 978-0-358-65189-5
Page Count: 320
Publisher: Mariner Books
Review Posted Online: July 25, 2022
Kirkus Reviews Issue: Aug. 15, 2022
Maher calls out idiocy wherever he sees it, with a comedic delivery that veers between a stiletto and a sledgehammer.
The comedian argues that the arts of moderation and common sense must be reinvigorated.
Some people are born snarky, some become snarky, and some have snarkiness thrust upon them. Judging from this book, Maher—host of HBO’s Real Time program and author of The New New Rules and When You Ride Alone, You Ride With bin Laden—is all three. As a comedian, he has a great deal of leeway to make fun of people in politics, and he often delivers hilarious swipes with a deadpan face. The author describes himself as a traditional liberal, with a disdain for Republicans (especially the MAGA variety) and a belief in free speech and personal freedom. He claims that he has stayed much the same for more than 20 years, while the left, he argues, has marched toward intolerance. He sees an addiction to extremism on both sides of the aisle, which fosters the belief that anyone who disagrees with you must be an enemy to be destroyed. However, Maher has always displayed his own streaks of extremism, and his scorched-earth takedowns eventually become problematic. The author has something nasty to say about everyone, it seems, and the sarcastic tone starts after more than 300 pages. As has been the case throughout his career, Maher is best taken in small doses. The book is worth reading for the author’s often spot-on skewering of inept politicians and celebrities, but it might be advisable to occasionally dip into it rather than read the whole thing in one sitting. Some parts of the text are hilarious, but others are merely insulting. Maher is undeniably talented, but some restraint would have produced a better book.
Maher calls out idiocy wherever he sees it, with a comedic delivery that veers between a stiletto and a sledgehammer.Pub Date: May 21, 2024
ISBN: 9781668051351
Page Count: 384
Publisher: Simon & Schuster
Review Posted Online: March 5, 2024
Kirkus Reviews Issue: April 1, 2024
BOOK REVIEW
BOOK REVIEW
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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