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CANTERBERRY TALES

From the The Happy Valley Chronicles series , Vol. 1

A well-crafted tale of a precocious child.

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Hoff’s novel presents the adventures of an impossible little girl.

Seven-year-old Celia Canterberry is already a legend in her little town of Happy Valley, well known for her obstreperous ways and independent mind. She prides herself on her precociousness: “In my mind, precocious was far better than polite. There was no joy in being polite.” When Celia’s long-suffering grandmother Nan packs her off to stay with Old Lady Griggs for an afternoon, she starts to learn more about her own mysterious origin story. She knows that she was abandoned at the hospital, but she’s never been able to get any adult to divulge more details. At first, Old Lady Griggs seems more forthcoming. “After you were born,” she tells Celia, “whole pages were devoted to you and your inauspicious birth.” Over the course of her visits to Old Lady Griggs, and after multiple consultations of a meticulously maintained scrapbook, Celia gradually finds out more about her past, and in the process, Hoff spins a yarn about pre-modern small-town American life that glows with affection. The prose is smooth and consistently funny, and Celia is a delightful character. The author also makes a storytelling decision that will be familiar to the many fans of Sue Townsend’s Adrian Mole series or Louise Fitzhugh’s Harriet the Spy: She gives Celia a quirky, forceful, and unmistakably adult voice. The narrative, which includes occasional black-and-white line drawings by Froese, is, by turns, touching and uproarious—as when Celia puts her hair in pigtails by using a stapler—and Hoff is always ready with well-executed humor: “[Nan] never wears her teeth when she’s gardening,” Celia tells Old Lady Griggs at one point. “She thinks it’s best not to let the plants know her true intentions.” The combination of warm nostalgia and a sharp, modern sensibility is perfectly managed, and the promise of future volumes will please readers who want to spend more time in Happy Valley.

A well-crafted tale of a precocious child.

Pub Date: April 7, 2021

ISBN: N/A

Page Count: 286

Publisher: Black Crow Books

Review Posted Online: March 23, 2021

Kirkus Reviews Issue: June 1, 2021

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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DEMON COPPERHEAD

An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.

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Inspired by David Copperfield, Kingsolver crafts a 21st-century coming-of-age story set in America’s hard-pressed rural South.

It’s not necessary to have read Dickens’ famous novel to appreciate Kingsolver’s absorbing tale, but those who have will savor the tough-minded changes she rings on his Victorian sentimentality while affirming his stinging critique of a heartless society. Our soon-to-be orphaned narrator’s mother is a substance-abusing teenage single mom who checks out via OD on his 11th birthday, and Demon’s cynical, wised-up voice is light-years removed from David Copperfield’s earnest tone. Yet readers also see the yearning for love and wells of compassion hidden beneath his self-protective exterior. Like pretty much everyone else in Lee County, Virginia, hollowed out economically by the coal and tobacco industries, he sees himself as someone with no prospects and little worth. One of Kingsolver’s major themes, hit a little too insistently, is the contempt felt by participants in the modern capitalist economy for those rooted in older ways of life. More nuanced and emotionally engaging is Demon’s fierce attachment to his home ground, a place where he is known and supported, tested to the breaking point as the opiate epidemic engulfs it. Kingsolver’s ferocious indictment of the pharmaceutical industry, angrily stated by a local girl who has become a nurse, is in the best Dickensian tradition, and Demon gives a harrowing account of his descent into addiction with his beloved Dori (as naïve as Dickens’ Dora in her own screwed-up way). Does knowledge offer a way out of this sinkhole? A committed teacher tries to enlighten Demon’s seventh grade class about how the resource-rich countryside was pillaged and abandoned, but Kingsolver doesn’t air-brush his students’ dismissal of this history or the prejudice encountered by this African American outsider and his White wife. She is an art teacher who guides Demon toward self-expression, just as his friend Tommy provokes his dawning understanding of how their world has been shaped by outside forces and what he might be able to do about it.

An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.

Pub Date: Oct. 18, 2022

ISBN: 978-0-06-325-1922

Page Count: 560

Publisher: Harper/HarperCollins

Review Posted Online: July 13, 2022

Kirkus Reviews Issue: Aug. 1, 2022

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