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IN THE LAIR OF LEGENDS

An effective western thriller graced by a memorable protagonist.

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An Indigenous soldier faces danger from both humans and monsters in his last mission for the United States Army in Buzan’s novel.

In 1872, a unit of U.S. troops heads to Oregon by train carrying gold meant for the U.S. Army. A Nez Perce man named Jolon Winterhawk is a cavalry soldier and Civil War veteran nearing the end of his career in the military; he’s eager to retire but feels a sense of foreboding. The train is ambushed by vigilante Ramòn Cornadez and a band of soldiers, who mean to take the gold to Mexico. The ambush is violent, and Winterhawk is the sole survivor. Meanwhile, a massive creature is attacking men in the region. Winterhawk doesn’t know about this danger—he assumes the cries he hears in the distance are wolves—but he makes a decision to follow protocol instead of fleeing the scene, meaning he must take care of the dead and, to complete his final mission as a soldier, deliver the gold to its intended destination. Two days after he sets off with the gold, a couple of U.S. Army officers, Maj. Ambrose Toomey and Cpt. Thomas Isbell, find the wreckage of the train and conclude that a traitor turned on his unit; the new arrivals don’t trust Winterhawk because he’s Indigenous and assume he’s trying to steal the gold (“What was your plan, Lieutenant Winterhawk? You made a deal with General Cornadez? You provided him with the train route in exchange for half of the money?”). Ultimately, Toomey and Isbell decide to steal the gold for themselves. Winterhawk remains determined to carry out his mission, but can he escape both his human antagonists and the monster in the woods? The novel is part western and part horror, and some of the violence is extreme. The pacing is not quite right; the author sometimes interrupts action sequences to deliver exposition or historical information. The text includes copious period detail, and a lot of this material is compelling, but as a result the book sometimes reads more like a history textbook than novel. Still, it’s a tense, exciting adventure, and Winterhawk is a charismatic and honorable hero.

An effective western thriller graced by a memorable protagonist.

Pub Date: Aug. 10, 2023

ISBN: 9781685132507

Page Count: 273

Publisher: Black Rose Writing

Review Posted Online: Aug. 11, 2023

Kirkus Reviews Issue: Sept. 15, 2023

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  • New York Times Bestseller

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THE FAMILIAR

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

In 16th-century Madrid, a crypto-Jew with a talent for casting spells tries to steer clear of the Inquisition.

Luzia Cotado, a scullion and an orphan, has secrets to keep: “It was a game she and her mother had played, saying one thing and thinking another, the bits and pieces of Hebrew handed down like chipped plates.” Also handed down are “refranes”—proverbs—in “not quite Spanish, just as Luzia was not quite Spanish.” When Luzia sings the refranes, they take on power. “Aboltar cazal, aboltar mazal” (“A change of scene, a change of fortune”) can mend a torn gown or turn burnt bread into a perfect loaf; “Quien no risica, no rosica” (“Whoever doesn’t laugh, doesn’t bloom”) can summon a riot of foliage in the depths of winter. The Inquisition hangs over the story like Chekhov’s famous gun on the wall. When Luzia’s employer catches her using magic, the ambitions of both mistress and servant catapult her into fame and danger. A new, even more ambitious patron instructs his supernatural servant, Guillén Santángel, to train Luzia for a magical contest. Santángel, not Luzia, is the familiar of the title; he has been tricked into trading his freedom and luck to his master’s family in exchange for something he no longer craves but can’t give up. The novel comes up against an issue common in fantasy fiction: Why don’t the characters just use their magic to solve all their problems? Bardugo has clearly given it some thought, but her solutions aren’t quite convincing, especially toward the end of the book. These small faults would be harder to forgive if she weren’t such a beautiful writer. Part fairy tale, part political thriller, part romance, the novel unfolds like a winter tree bursting into unnatural bloom in response to one of Luzia’s refranes, as she and Santángel learn about power, trust, betrayal, and love.

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

Pub Date: April 9, 2024

ISBN: 9781250884251

Page Count: 400

Publisher: Flatiron Books

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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