Always erudite, frequently funny, and often surprising—a treat for lovers of the book qua book.
This book’s playful title announces both its subject and its tone.
Duncan, a professor of English, opens by observing that “the humble back-of-book index…is one of those inventions that are so successful…that they can often become invisible.” Then the author makes visible its development and refinement. This may sound like dry stuff, but the narrative both sparkles with geeky wit (the plural form indices is “for mathematicians and economists”) and shines with an infectious enthusiasm, as when the author celebrates the blurry impression of the very first page number. In the early chapters, Duncan discusses the development of the physical book, a survey that includes such delicious moments as the examination of a faithfully copied but useless medieval index to a book whose original had different pagination. He follows a mostly chronological, march-through–Western Civilization organization—any analogous systems used for organizing information in non-Western cultures go unmentioned. Within this structure, Duncan ranges back and forth in history. In the chapter on Renaissance-era scholars’ anxiety that an index would lead readers to skip the book proper, he touches on both Socrates’ skepticism of written language and modern-day hand-wringing at the effects of the internet on reading. A chapter on the emergence of the “weaponized index” treats readers to some epically funny battles in snark. The book’s illustrations are few but well chosen, presenting both the odd marginal symbol Duncan likens to “a snake holding a machine gun” inked by a 13th-century scholar, and the cheeky “Hi!” William F. Buckley wrote next to the index entry for Mailer, Norman in a gifted copy of his memoir. Duncan brings his chronicle into the digital present before closing with not one, but two indexes: a machine-generated one and a human-compiled one, by Paula Clarke Bain, member of the Society of Indexers, whose wit matches the author’s and underscores his passionate appreciation of the art.
Always erudite, frequently funny, and often surprising—a treat for lovers of the book qua book.Pub Date: Feb. 15, 2022
ISBN: 978-1-324-00254-3
Page Count: 336
Publisher: Norton
Review Posted Online: Oct. 29, 2021
Kirkus Reviews Issue: Dec. 1, 2021
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
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