Whether you’re new to arson-fraud fiction or an old fan, this burn-by-burn account—think Double Indemnity in flames—could be the only novel on the subject you’ll ever need. Jack Wade, bounced off the Orange County Sheriff’s Office 12 years ago for beating a confession out of a suspect and lying about it under oath, has been a bulldog claims investigator for California Fire and Life Mutual ever since, but he’s about to meet his match (to make one of the few arson puns Winslow doesn’t exploit). Society fund-raiser Pamela Vale has been burned to death in a home fire that Jack’s old nemesis, fire investigator Brian Bentley, has pronounced accidental. Based on a survey of the physical evidence that would do Patricia Cornwell proud, Jack’s certain Pam Vale and her house were torched, and just as certain the arsonist is her husband Nicky, who phoned Jack to discuss his claim the morning after the blaze. Jack doesn’t know about Nicky’s ties to the KGB and the Russian mafia (which Winslow, as thorough as Jack, explains in numbing detail), but he can see that the good times had stopped rolling for the overextended developer; he doesn’t believe the alibi Nicky’s controlling mother gives him; and he’s shocked but delighted when his former lover, Sheriff’s deputy Letitia de Rio, turns out to be Pam’s half-sister. Getting their act together again, Jack and Letty build an impressive case against Nicky. But when California Fire and Life finally confronts Nicky, Jack suddenly realizes he’s been caught in as sweet a scam as he’s ever seen, with no way to avoid going down in flames (oops). Though Winslow (The Death and Life of Bobby Z, 1997, etc.) writes as crudely as he puns, his plotting is shapely and inventive, and most readers will get caught up in the tale of Jack’s treacherous descent into hot water and his miraculous escape. The whole story reads like a house afire—a real barn-burner. (First printing of 60,000)
Pub Date: July 8, 1999
ISBN: 0-679-45431-4
Page Count: 352
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2000
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Once again, Hilderbrand displays her gift for making us care most about her least likable characters.
Hilderbrand’s latest cautionary tale exposes the toxic—and hilarious—impact of gossip on even the most sophisticated of islands.
Eddie and Grace Pancik are known for their beautiful Nantucket home and grounds, financed with the profits from Eddie’s thriving real estate company (thriving before the crash of 2008, that is). Grace raises pedigreed hens and, with the help of hunky landscape architect Benton Coe, has achieved a lush paradise of fowl-friendly foliage. The Panciks’ teenage girls, Allegra and Hope, suffer invidious comparisons of their looks and sex appeal, although they're identical twins. The Panciks’ friends the Llewellyns (Madeline, a blocked novelist, and her airline-pilot husband, Trevor) invested $50,000, the lion’s share of Madeline’s last advance, in Eddie’s latest development. But Madeline, hard-pressed to come up with catalog copy, much less a new novel, is living in increasingly straightened circumstances, at least by Nantucket standards: she can only afford $2,000 per month on the apartment she rents in desperate hope that “a room of her own” will prime the creative pump. Construction on Eddie’s spec houses has stalled, thanks to the aforementioned crash. Grace, who has been nursing a crush on Benton for some time, gives in and a torrid affair ensues, which she ill-advisedly confides to Madeline after too many glasses of Screaming Eagle. With her agent and publisher dropping dire hints about clawing back her advance and Eddie “temporarily” unable to return the 50K, what’s a writer to do but to appropriate Grace’s adultery as fictional fodder? When Eddie is seen entering her apartment (to ask why she rented from a rival realtor), rumors spread about him and Madeline, and after the rival realtor sneaks a look at Madeline’s rough draft (which New York is hotly anticipating as “the Playboy Channel meets HGTV”), the island threatens to implode with prurient snark. No one is spared, not even Hilderbrand herself, “that other Nantucket novelist,” nor this magazine, “the notoriously cranky Kirkus.”
Once again, Hilderbrand displays her gift for making us care most about her least likable characters.Pub Date: June 16, 2015
ISBN: 978-0-316-33452-5
Page Count: 384
Publisher: Little, Brown
Review Posted Online: May 20, 2015
Kirkus Reviews Issue: June 1, 2015
PERSPECTIVES
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