Mercy Watson fans will flock to this whimsical new series for developing readers.
A girl and a rescued chicken become best friends in a new series for developing readers.
When Starla Jean finds a skinny, bug-eyed chicken at the park, her dad promises her if she can catch it, she can keep it. To her father’s dismayed surprise, Starla Jean does indeed catch the chicken, immediately naming her Opal Egg. The more she learns about Opal Egg, the more Starla Jean wants to keep her, but what if the chicken belongs to someone else? This series starter features Starla Jean’s exuberant first-person narration, liberally punctuated with dialogue with her family and neighbors. Readers transitioning to early chapter books will appreciate the four short chapters and the limited amount of text per page, wide margins, and ample space between lines of text. Occasionally, the white space around the text is humorously interrupted by bold, red chicken sound effects. Soft, textured cartoons in muted colors further the comedic storytelling and provide readers natural places to rest their eyes. Present on every double-page spread, illustrations range in size from small pictures set within the text to expansive illustrations taking up most or all of a spread. The setting is quaint, a rural town with picturesque stone bridges and old-fashioned houses. Starla Jean’s family is depicted with light-brown or dark hair and pale skin. Elderly neighbors are depicted with pale or light tan skin and white hair.
Mercy Watson fans will flock to this whimsical new series for developing readers. (Fiction. 6-9)Pub Date: Jan. 19, 2021
ISBN: 978-1-250-30576-3
Page Count: 96
Publisher: Roaring Brook Press
Review Posted Online: Nov. 17, 2020
Kirkus Reviews Issue: Dec. 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
Inspiration, shrink wrapped.
From an artist, poet, and Instagram celebrity, a pep talk for all who question where a new road might lead.
Opening by asking readers, “Have you ever wanted to go in a different direction,” the unnamed narrator describes having such a feeling and then witnessing the appearance of a new road “almost as if it were magic.” “Where do you lead?” the narrator asks. The Road’s twice-iterated response—“Be a leader and find out”—bookends a dialogue in which a traveler’s anxieties are answered by platitudes. “What if I fall?” worries the narrator in a stylized, faux hand-lettered type Wade’s Instagram followers will recognize. The Road’s dialogue and the narration are set in a chunky, sans-serif type with no quotation marks, so the one flows into the other confusingly. “Everyone falls at some point, said the Road. / But I will always be there when you land.” Narrator: “What if the world around us is filled with hate?” Road: “Lead it to love.” Narrator: “What if I feel stuck?” Road: “Keep going.” De Moyencourt illustrates this colloquy with luminous scenes of a small, brown-skinned child, face turned away from viewers so all they see is a mop of blond curls. The child steps into an urban mural, walks along a winding country road through broad rural landscapes and scary woods, climbs a rugged metaphorical mountain, then comes to stand at last, Little Prince–like, on a tiny blue and green planet. Wade’s closing claim that her message isn’t meant just for children is likely superfluous…in fact, forget the just.
Inspiration, shrink wrapped. (Picture book. 6-8, adult)Pub Date: March 23, 2021
ISBN: 978-1-250-26949-2
Page Count: 40
Publisher: Feiwel & Friends
Review Posted Online: April 7, 2021
BOOK REVIEW
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