A wake-up call about the abusive potential of Ritalin—and a searing account of a long, deadly dalliance with destruction.
Generational spokesperson Wurtzel (Prozac Nation, 1994, etc.) pens a claustrophobic but surprisingly moving account of her battle with drug addiction.
Like so many contemporary memoirists, Wurtzel celebrates the self and its attendant woes, frequently irritating with her relentless recording of every emotion and reaction, as well as her over-reliance on the personal pronoun. The book begins slowly as she describes how, in 1996, temporarily living in Florida to complete Bitch (1998), she began abusing Ritalin. It had been prescribed to curb her intake of illegal drugs like heroin and cocaine, but she missed the ritual of snorting drugs. So Wurtzel cut her pills in half, extracted the powder, and—presto!—swapped one addiction for another. She connived to get more pills prescribed, compulsively pulled hair out of her legs until she developed infected sores, got arrested for shoplifting, and started snorting coke again. Her behavior became even more manic and erratic back in New York, where she finally holed up in her publisher’s office to finish her book, then checked into a rehab clinic in Connecticut. There, she fell in love with an alcoholic fellow patient and managed to clean up, but within days of checking out, she was back on drugs. Again, Wurtzel vividly details this downward spiral of self-destructive behavior: she flubbed or missed interviews during her book tours, alienated her friends, had an abortion. Somehow she survived and began to take charge of her addiction—a change that redeems her story as well, as its author becomes less of an arrogant, whiny brat and more of a sympathetic adult seasoned by adversity. Wurtzel joined a recovery program for narcotic abusers, attended meetings regularly, and is now not only clean but for the first time ever able to say that she’s happy.
A wake-up call about the abusive potential of Ritalin—and a searing account of a long, deadly dalliance with destruction.Pub Date: Jan. 17, 2002
ISBN: 0-7432-2330-6
Page Count: 288
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2001
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A standout immigrant coming-of-age story.
In her first nonfiction book, novelist Grande (Dancing with Butterflies, 2009, etc.) delves into her family’s cycle of separation and reunification.
Raised in poverty so severe that spaghetti reminded her of the tapeworms endemic to children in her Mexican hometown, the author is her family’s only college graduate and writer, whose honors include an American Book Award and International Latino Book Award. Though she was too young to remember her father when he entered the United States illegally seeking money to improve life for his family, she idolized him from afar. However, she also blamed him for taking away her mother after he sent for her when the author was not yet 5 years old. Though she emulated her sister, she ultimately answered to herself, and both siblings constantly sought affirmation of their parents’ love, whether they were present or not. When one caused disappointment, the siblings focused their hopes on the other. These contradictions prove to be the narrator’s hallmarks, as she consistently displays a fierce willingness to ask tough questions, accept startling answers, and candidly render emotional and physical violence. Even as a girl, Grande understood the redemptive power of language to define—in the U.S., her name’s literal translation, “big queen,” led to ridicule from other children—and to complicate. In spelling class, when a teacher used the sentence “my mamá loves me” (mi mamá me ama), Grande decided to “rearrange the words so that they formed a question: ¿Me ama mi mamá? Does my mama love me?”
A standout immigrant coming-of-age story.Pub Date: Aug. 28, 2012
ISBN: 978-1-4516-6177-4
Page Count: 320
Publisher: Atria
Review Posted Online: June 11, 2012
Kirkus Reviews Issue: July 1, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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