A resonant, character-driven mystery that proves a worthy series entry; recommended.
A shootout with gang members results in an unexpected outcome and a lot of trouble for a young Arizona detective in this sequel.
Phoenix detective Lori Sanchez, “sweating like a porker in the heat of the evening,” doesn’t think there’s enough backup for the drug bust set up by Capt. Ronald Gurvy of the South Metro Gang Unit. Sanchez’s concerns increase when Roberto “Criatura” Gomez, the criminals’ “top guy,” shows up with a heavily armed posse for a minor drug deal. After all hellfire breaks lose, Gurvy chases Gomez into a junkyard. Sanchez, in delayed pursuit in the darkness, trips over a downed Gurvy. Both he and Gomez are dead. Ballistics reports show the bullets that killed each man match. “They were both shot by the same gun—the same shooter,” says Jeff Bordou, Sanchez’s partner. After the gunfight, Sanchez and Bordou can’t locate their snitch, Eduardo, for questioning, and her apartment is ransacked. The thieves stole not much of value, but they apparently hid something in her apartment—the gun that killed Gurvy and Gomez. When the cops find and ID the weapon, suspicion falls on Sanchez, who relies on her dear friend Father Guillermo Montero for comfort and counseling. He knows Father Juan “John” Ortega, a local priest whose church grounds offer asylum for two dozen refugees from El Salvador and one newcomer, a local man who says he needs protection but may have gangland ties. Baker’s (An Imperfect Crime, 2018, etc.) images are rich, as when he describes Arizona’s deserts, casinos, or even a precinct secretary’s desk—“one of those old steel ones in the shade of battleship gray. It, like Margaret, was formidable.” The book’s pacing is superb, starting out strong with the gunfight, retreating a bit, then bringing in more firepower. Timeliness of content stands out, as Father John offers a sanctuary for undocumented immigrants, who are subjected to violence. The series gets bonus points for its ethnic lead characters: a strong female cop and a sympathetic priest who share “similar interests and a love for Mexican beers and good food.”
A resonant, character-driven mystery that proves a worthy series entry; recommended.Pub Date: May 17, 2019
ISBN: 978-1-949336-12-2
Page Count: 286
Publisher: Other Voices Press
Review Posted Online: Sept. 16, 2019
Kirkus Reviews Issue: Dec. 1, 2019
Review Program: Kirkus Indie
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Once again, Hilderbrand displays her gift for making us care most about her least likable characters.
Hilderbrand’s latest cautionary tale exposes the toxic—and hilarious—impact of gossip on even the most sophisticated of islands.
Eddie and Grace Pancik are known for their beautiful Nantucket home and grounds, financed with the profits from Eddie’s thriving real estate company (thriving before the crash of 2008, that is). Grace raises pedigreed hens and, with the help of hunky landscape architect Benton Coe, has achieved a lush paradise of fowl-friendly foliage. The Panciks’ teenage girls, Allegra and Hope, suffer invidious comparisons of their looks and sex appeal, although they're identical twins. The Panciks’ friends the Llewellyns (Madeline, a blocked novelist, and her airline-pilot husband, Trevor) invested $50,000, the lion’s share of Madeline’s last advance, in Eddie’s latest development. But Madeline, hard-pressed to come up with catalog copy, much less a new novel, is living in increasingly straightened circumstances, at least by Nantucket standards: she can only afford $2,000 per month on the apartment she rents in desperate hope that “a room of her own” will prime the creative pump. Construction on Eddie’s spec houses has stalled, thanks to the aforementioned crash. Grace, who has been nursing a crush on Benton for some time, gives in and a torrid affair ensues, which she ill-advisedly confides to Madeline after too many glasses of Screaming Eagle. With her agent and publisher dropping dire hints about clawing back her advance and Eddie “temporarily” unable to return the 50K, what’s a writer to do but to appropriate Grace’s adultery as fictional fodder? When Eddie is seen entering her apartment (to ask why she rented from a rival realtor), rumors spread about him and Madeline, and after the rival realtor sneaks a look at Madeline’s rough draft (which New York is hotly anticipating as “the Playboy Channel meets HGTV”), the island threatens to implode with prurient snark. No one is spared, not even Hilderbrand herself, “that other Nantucket novelist,” nor this magazine, “the notoriously cranky Kirkus.”
Once again, Hilderbrand displays her gift for making us care most about her least likable characters.Pub Date: June 16, 2015
ISBN: 978-0-316-33452-5
Page Count: 384
Publisher: Little, Brown
Review Posted Online: May 20, 2015
Kirkus Reviews Issue: June 1, 2015
PERSPECTIVES
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