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OTHERWISE KNOWN AS THE HUMAN CONDITION

SELECTED ESSAYS AND REVIEWS

Whether in sketches or rigorous studies, each piece bears the mark of Dyer’s unique intelligence and wit.

A grab-bag of critical essays, reportage and personal stories from the irrepressibly curious Dyer (Jeff in Venice, Death in Varanasi, 2009, etc).

The title of this hefty tome, featuring pieces published in two United Kingdom–only collections, suggests ponderous philosophizing. But though Dyer takes his art seriously, his prose is as relaxed and self-effacing as it is informed. Indeed, the title essay is about nothing more serious than his quest for a decent doughnut and cappuccino in New York City, from which he extracts some surprising insights about our need for routines, standards and sense of home. Though the book is wide-ranging, his command is consistent, whether he’s writing about Richard Avedon or model airplanes. Dyer consistently expresses an appreciation for the way the idiosyncratic human being emerges despite our best efforts to suppress it. That’s evident in the way he admires John Cheever’s confessional journals more than his acclaimed short stories, and in his urge to uncover F. Scott Fitzgerald’s tragic personal history when writing about his novels. It also shows in the subjects he chooses to write about. Consistently suspicious of slickness in art, he’s drawn to photographers like Enrique Metinides, who documented disasters and accidents in Mexico City, and musicians like John Coltrane, whose “My Favorite Things” grows more appealing to Dyer the more decoupled it becomes from its Rodgers and Hammerstein source. In a few pieces, particularly in his first-person reportage, Dyer works a bit too hard to find something clever to say about subjects he wouldn’t have pursued were he not assigned to write about them—e.g., a Def Leppard concert or a flight in a decommissioned MiG. Also, a handful of book reviews are brief piecework of only moderate interest. But the book is chock-full of Dyer at his most open, thoughtful and lyrical, as in his study of photographs of Rodin sculptures, his appreciation of Rebecca West’s neglected travel writings and a candid piece about the first time he was fired, where, in exposing his 20-something childishness, he finds the roots of the adult he became.

Whether in sketches or rigorous studies, each piece bears the mark of Dyer’s unique intelligence and wit.

Pub Date: March 29, 2011

ISBN: 978-1-55597-579-1

Page Count: 432

Publisher: Graywolf

Review Posted Online: Dec. 2, 2010

Kirkus Reviews Issue: Dec. 1, 2010

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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