The artwork in this tongue-in-cheek look at the many roles moms—and dads, in the separate title—play in family life is...
We all know the work that goes into parenting. This book and its companion celebrate and name all the unpaid jobs moms and dads do at home after their regular 9-to-5 jobs are over.
“My mom works as a carpenter. / She builds things big and strong. // At night, though, she’s a general / who’ll march the troops along. // She’s also part-time curator / with passion for the arts. // And frequent archaeologist / in search of buried parts.” Wang’s scenes will be familiar to fans of his Cozy Classics board books, done with his brother Jack Wang; crafted of needle-felted characters and found or made props and then photographed, they are genius, making clear the many parental duties: enforcing bedtime, changing out the fridge art, and combing through the laundry. Companion title Great, Job, Dad! publishes simultaneously and follows a similar format. His day job is “manager”; at home, his duties include “waiter,” “chauffeur,” “inspector” (of diapers), and “judge” (between siblings). Both titles show both traditional gender roles and otherwise, and they end similarly: “Dad does one job to pay the bills, / the others out of love.” Mom! features a white family with an older brother and younger sister; Dad! spotlights an Asian family with an older sister and younger brother. The photography and needle felting are not to be missed. The backmatter provides detail on the artist’s process, complete with photographs; this is sure to capture readers’ imaginations.
The artwork in this tongue-in-cheek look at the many roles moms—and dads, in the separate title—play in family life is certain to have readers poring over the pages. (Picture book. 3-8)Pub Date: March 26, 2019
ISBN: 978-0-7352-6408-3
Page Count: 32
Publisher: Tundra Books
Review Posted Online: March 11, 2019
Kirkus Reviews Issue: April 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
SEEN & HEARD
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