A complex and compelling romance with an underdeveloped heroine.
An open-hearted lawyer is forced to choose between her fiance and her dying ex in Friedland’s (Trouble the Water, 2018) novel about love and forgiveness.
Meredith Altman is a successful Jewish attorney living in Manhattan and planning a wedding to handsome Aaron Rapp, a pediatric surgeon. However, in 2017, a celebratory dinner with friends changes everything: The Tribeca restaurant’s chef and owner is Wesley Latner, Meredith’s ex-fiance, whom she hasn’t seen in five years. Old feelings resurface in the form of flashbacks to their young love and Wesley’s unwavering support for Meredith’s tenuous family situation, which had her parents on the verge of divorce before her mother’s cancer diagnosis. Years later, to escape from the stress of the plans for their son’s wedding, Wesley’s parents set out on a vacation and were killed in a plane crash, causing a grief-stricken Wesley to blame Meredith for their deaths before he moved to London. Now that she’s engaged to another man, Meredith seeks closure before Wesley drops a bomb: He’s been diagnosed with Lou Gehrig’s disease, or ALS, and his body is rapidly deteriorating. Without consulting Aaron, Meredith invites Wesley to move into the apartment they share, and one intimate moment between Meredith and Wesley threatens Meredith’s relationship with her fiance as well as her sense of self. Can Aaron forgive Meredith for her slip, or is the dying Wesley the one Meredith was meant to be with all along? Friedland’s sharp prose and plotting make Meredith’s dilemma a relatable one: The pull between past and present can be difficult even when a debilitating illness isn’t part of the mix. But Friedland keeps the reader guessing about what Meredith will do—not only about her romantic partners, but also about her career as a lawyer who caters mainly to big tobacco companies. Unfortunately, the development of Meredith’s character often gets lost as she seeks to care for others: her parents, her future in-laws, the former and current men in her life. Though her do-gooder spirit is firmly established, not much else of Meredith’s personality is.
A complex and compelling romance with an underdeveloped heroine.Pub Date: April 14, 2020
ISBN: 978-1-68463-030-1
Page Count: 352
Publisher: SparkPress
Review Posted Online: March 4, 2020
Review Program: Kirkus Indie
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
As the plot grows more complicated, it also sheds believability, leaving sex and witty banter to carry the day.
Brown (Mean Streak, 2014, etc.) ticks off the boxes that elevate her books to the bestseller lists in this sexy romantic thriller set in Texas.
Rock-jawed hero with a dark past: check. Strong-willed, beautiful woman who resists his charms: check. A Whitman’s Sampler of bad guys: check. And finally, a convoluted and not always plausible plot: check. In this latest outing, readers meet TV journalist Kerra Bailey, whose family was torn apart years ago by a hotel bombing that killed 197 people in Dallas. Just in time for the 25th anniversary, Kerra scores an interview with the notoriously private Maj. Trapper, who saved her life, among others, when he emerged from the blast to lead the survivors out of danger. There's an iconic, prizewinning photo of the major carrying a little girl from the wreckage, but the child has never been identified—until now, when Kerra goes public with the information that it was her. Just after they finish filming the interview in his home, the major is shot, and an injured Kerra escapes in the confusion. The major’s son, disgraced Bureau of Alcohol, Tobacco, Firearms and Explosives agent John Trapper—a name M*A*S*H fans will appreciate—steps in, igniting a chain of events that leads to murder, intrigue, betrayal, and a series of dark revelations. As with most of Brown’s heroes and heroines, there’s palpable sexual tension between Trapper, whose taut rear occupies ample literary real estate, and Kerra, who when dealing with Trapper feels “like he’d lightly scratched her just below her bellybutton” when he’s not making her “pleasure points throb.” The complex plot plays out in a round of reveals that don’t always make a lot of sense, but that’s not why Brown’s fans read her books. They check in for the witty, pitch-perfect dialogue and fluid writing. A master of her genre, Brown knows how to please her most ardent readers but relies too often on the same basic formula from novel to novel.
As the plot grows more complicated, it also sheds believability, leaving sex and witty banter to carry the day.Pub Date: Aug. 15, 2017
ISBN: 978-1-4555-7210-6
Page Count: 432
Publisher: Grand Central Publishing
Review Posted Online: July 3, 2017
Kirkus Reviews Issue: July 15, 2017
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