Smiley (Moo, 1995, etc.) scales another peak with this bighearted and thoughtful picaresque novel set mostly in the Kansas Territory shortly before the Civil War. Narrator Lydia "Lidie" Harkness grows up in Quincy, Illinois, a tomboyish burden to her several older stepsisters, and leaps at the chance to marry Thomas Newton, a soft-spoken abolitionist who's bent on helping the "free-staters" dedicated to protecting Kansas against those who would make it a slave state. Missourians crossing the border wreak havoc on such hotbeds of abolitionist activity as Lawrence (near which the Newtons settle), and Thomas is soon one of many casualties. The "disputacious" Lidie—who'd become an even more ardent free-stater than her husband—thereafter sets off on an eastward journey seeking revenge and finding instead an unexpected empowerment. Her adventures while disguised as a boy ("Lyman Arquette"), reporting for a proslavery newspaper, and helping a woman escape a plantation are recounted with a zest and specificity that beg comparison with Mark Twain's portrayal of the immortal Huck Finn. Lidie is a splendid creation: a forthright, intelligent woman who recognizes, long before she can articulate it, the kinship of women relegated to submissive housewifery with people who are literally bought and sold—and who acts to change things. Surrounding her are such agreeable supporting characters as silver-tongued, slaveowning widower "Papa" Day, "radical" Louisa Bisket (who considers corsets symbolic of male tyranny), and the superbly unctuous David Graves, blithely unimpeded by loyalties of any variety ("My principle is to serve both sides, to have no sides, indeed, but to serve all!"). Not all of Smiley's obviously scrupulous research is transmitted successfully into story—Lidie does mull over political and social complexities a mite compulsively. Little else goes awry, though, in the richly entertaining saga of a woman who might have been well matched with Thomas Berger's "Little Big Man," and whom Huck Finn would have been proud to claim as his big sister.
Pub Date: April 3, 1998
ISBN: 0-679-45074-2
Page Count: 448
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1998
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
BOOK REVIEW
BOOK REVIEW
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