Jane Yolen's reflections on children's books offer no stimulating insights but they are serious, which puts this far ahead of The Writer's previous publication on the subject, Phyllis A. Whitney's Writing Juvenile Fiction (rev. 1960). As usual with this sort of advice manual her admonitions on what not to do are sounder and more specific than are any positive suggestions on how to do it — on realistic fiction, for example, she cautions reasonably against writing "to lead the young innocents away from evils" but the recommended alternative — "simply telling a story" — isn't much help. (Nor is it consistent with her rationale for the genre: "Wouldn't we rather have the children read about these subjects in a well-written novel than learn them in the gutter?") However, there is much practical material here of the sort that would-be writers dote on — from the important directive for writers at the youngest leve to "picture the picture book" (moving along for 32 pages) through more mechanical matter such as the idea file and portable notebook to the much-demanded particulars of marketing, contracts, revisions, etc., which Yolen knows from both the author's and editor's sides of the desk.
Pub Date: Nov. 15, 1983
ISBN: 0871161338
Page Count: 164
Publisher: The Writer, Inc.
Review Posted Online: May 12, 2012
Kirkus Reviews Issue: Nov. 1, 1973
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
