by J.D. Vance ‧ RELEASE DATE: June 28, 2016
An unusually timely and deeply affecting view of a social class whose health and economic problems are making headlines in...
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A Yale Law School graduate’s account of his traumatic hillbilly childhood and the plight of America’s angry white working class.
“Americans call them hillbillies, rednecks, or white trash,” writes Vance, a biotech executive and National Review contributor. “I call them neighbors, friends, and family.” In this understated, engaging debut, the author reflects on his stormy journey from the coal-country Kentucky hollers of Appalachia to the declining Rust Belt to life among the Ivy League–educated elite. Born into a poor Scots-Irish family—with a pill-addicted mother and “revolving door of father figures”—Vance was raised in Ohio by his beloved and newly middle-class grandparents, hardworking believers in the American dream who married in their teens and never shook the trappings (abuse, addiction, and constant fighting and screaming) of their native Kentucky’s hillbilly culture. Mamaw, his grandmother, once set her husband on fire when he came home drunk; Papaw, a violent grouch, tossed a Christmas tree out the back door. In scenes at once harrowing and hilarious, we come to know these loud, rowdy gun-toters as the loyal and loving family whose encouragement helped the author endure “decades of chaos and heartbreak.” In the Marines and at Yale, Vance learned to make responsible adult choices and overcame the learned helplessness that characterizes many in the working class. Pointedly identifying the cynicism and willingness to blame others endemic among that class, he describes the complex malaise—involving sociology, psychology, community, culture, and faith—that has left so many bereft of connections and social support and unable to find high-quality work. The solution, he believes, is not government action but in people asking themselves “what we can do to make things better.” Declaring that he survived with the help of caring family and friends, he writes, “I am one lucky son of a bitch.”
An unusually timely and deeply affecting view of a social class whose health and economic problems are making headlines in this election year.Pub Date: June 28, 2016
ISBN: 978-0-06-230054-6
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: April 29, 2016
Kirkus Reviews Issue: May 15, 2016
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SEEN & HEARD
BOOK TO SCREEN
SEEN & HEARD
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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BOOK REVIEW
by Elie Wiesel ; edited by Alan Rosen
BOOK REVIEW
by Elie Wiesel ; illustrated by Mark Podwal
BOOK REVIEW
by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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Pulitzer Prize Finalist
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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