Not sure why the author is in such a good mood, but it's contagious. Prepare for delight.
A dozen stories spell excellent news for fans of the Bard of Spokane.
Since Beautiful Ruins, his 2012 blockbuster, Walter has won a legion of readers who have been through the backlist and impatiently gobbled down his two follow-ups—a story collection, We Live in Water (2013), and the excellent historical novel Cold Millions (2020). This second collection of shorts is a glorious addition to the oeuvre, with a much brighter mood than its gloomy predecessor. The title story, which began its life as an Audible original, is a mini Beautiful Ruins, including an Italian setting, beautiful movie-star character, and heartbreakingly adorable but benighted male protagonist, here a blue-collar boy from Nebraska whose year abroad involves church-sponsored Latin lessons at a “papal community college” in a Roman industrial building. This. Story. Is. So. Damn. Funny. And almost ridiculously heartwarming. But the same can be said of many of the others, no matter how apparently depressing their topic. For example, the story about a father who must be institutionalized, “Town & Country,” opens with the fact that “Dad literally could not remember to not screw the sixty-year-old lady across the street,” and creates for the man in question an outlaw assisted living center in a seedy, one-story motel in northern Idaho where the meatloaf is still $2 and all the drinks are doubles. The climate change story, “The Way the World Ends,” brings two very depressed Ph.D. students to Mississippi State University to vie for a position in the geosciences department, then throws them together with a three-weeks-out-of-the-closet, very lonely college student named Jeremiah who's trying to decide whether it's worth risking life and limb to march in his first Gay Pride parade. What one of the “climate zealots” says to defend his newfound love of country music resonates through the collection: “Life is hard, the songs seemed to say, but at least it's funny, and it rhymes.”
Not sure why the author is in such a good mood, but it's contagious. Prepare for delight.Pub Date: June 28, 2022
ISBN: 978-0-06-286-811-4
Page Count: 288
Publisher: Harper/HarperCollins
Review Posted Online: March 29, 2022
Kirkus Reviews Issue: April 15, 2022
PERSPECTIVES
A moving portrait of rueful middle age and the failure to connect.
An acclaimed novelist revisits the central characters of his best-known work.
At the end of Brooklyn (2009), Eilis Lacey departed Ireland for the second and final time—headed back to New York and the Italian American husband she had secretly married after first traveling there for work. In her hometown of Enniscorthy, she left behind Jim Farrell, a young man she’d fallen in love with during her visit, and the inevitable gossip about her conduct. Tóibín’s 11th novel introduces readers to Eilis 20 years later, in 1976, still married to Tony Fiorello and living in the titular suburbia with their two teenage children. But Eilis’ seemingly placid existence is disturbed when a stranger confronts her, accusing Tony of having an affair with his wife—now pregnant—and threatening to leave the baby on their doorstep. “She’d known men like this in Ireland,” Tóibín writes. “Should one of them discover that their wife had been unfaithful and was pregnant as a result, they would not have the baby in the house.” This shock sends Eilis back to Enniscorthy for a visit—or perhaps a longer stay. (Eilis’ motives are as inscrutable as ever, even to herself.) She finds the never-married Jim managing his late father’s pub; unbeknownst to Eilis (and the town), he’s become involved with her widowed friend Nancy, who struggles to maintain the family chip shop. Eilis herself appears different to her old friends: “Something had happened to her in America,” Nancy concludes. Although the novel begins with a soap-operatic confrontation—and ends with a dramatic denouement, as Eilis’ fate is determined in a plot twist worthy of Edith Wharton—the author is a master of quiet, restrained prose, calmly observing the mores and mindsets of provincial Ireland, not much changed from the 1950s.
A moving portrait of rueful middle age and the failure to connect.Pub Date: May 7, 2024
ISBN: 9781476785110
Page Count: 304
Publisher: Scribner
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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