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THRONE OF THE FALLEN

Maniscalco fans will enjoy, but it will be hard for new readers to find their footing.

An artist with a secret and a Lord of Hell must work together to solve a puzzle in this romantic fantasy adventure.

Miss Camilla Antonius has a lot on her plate. She’s a talented artist, but is barely keeping her late father’s gallery afloat while being blackmailed by a local lord who knows a potentially ruinous secret about her. Envy, one of the seven princes of hell, is also trying to keep up appearances while a terrible malady slowly decimates his court. When he’s invited to play a dangerous magical game with a prize that could save his people, he goes all in. When one of his clues involves Camilla, the two must work together, becoming partners as they cross realms, dealing with human, demons, and Fae in order for both to win what they most covet—all while doing their best not to fall in love. Though this is a standalone novel, it’s set in the same universe as Maniscalco’s Kingdom of the Wicked trilogy, and certain elements, character dynamics, and plot points will be harder to follow for readers unfamiliar with the earlier books. This is also Maniscalco’s adult debut, and it shows: Steamy scene follows steamy scene as characters use extremely coarse language, like a teenager at last gleefully free of parental supervision. The story itself, an adventure filled with riddles to be solved and problems to be overcome, is fun and interesting but overshadowed by the need to push every boundary. Despite its length, the book reads quickly, switching back and forth between the two leads’ points of view, though the voices aren’t distinct enough to be clear. It’s all quite jumbled.

Maniscalco fans will enjoy, but it will be hard for new readers to find their footing.

Pub Date: Oct. 3, 2023

ISBN: 9780316557290

Page Count: 384

Publisher: Little, Brown

Review Posted Online: Aug. 12, 2023

Kirkus Reviews Issue: Sept. 1, 2023

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FOURTH WING

From the Empyrean series , Vol. 1

Read this for the action-packed plot, not character development or worldbuilding.

On the orders of her mother, a woman goes to dragon-riding school.

Even though her mother is a general in Navarre’s army, 20-year-old Violet Sorrengail was raised by her father to follow his path as a scribe. After his death, though, Violet's mother shocks her by forcing her to enter the elite and deadly dragon rider academy at Basgiath War College. Most students die at the War College: during training sessions, at the hands of their classmates, or by the very dragons they hope to one day be paired with. From Day One, Violet is targeted by her classmates, some because they hate her mother, others because they think she’s too physically frail to succeed. She must survive a daily gauntlet of physical challenges and the deadly attacks of classmates, which she does with the help of secret knowledge handed down by her two older siblings, who'd been students there before her. Violet is at the mercy of the plot rather than being in charge of it, hurtling through one obstacle after another. As a result, the story is action-packed and fast-paced, but Violet is a strange mix of pure competence and total passivity, always managing to come out on the winning side. The book is categorized as romantasy, with Violet pulled between the comforting love she feels from her childhood best friend, Dain Aetos, and the incendiary attraction she feels for family enemy Xaden Riorson. However, the way Dain constantly undermines Violet's abilities and his lack of character development make this an unconvincing storyline. The plots and subplots aren’t well-integrated, with the first half purely focused on Violet’s training, followed by a brief detour for romance, and then a final focus on outside threats.

Read this for the action-packed plot, not character development or worldbuilding.

Pub Date: May 2, 2023

ISBN: 9781649374042

Page Count: 528

Publisher: Red Tower

Review Posted Online: Jan. 12, 2024

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THE FAMILIAR

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

In 16th-century Madrid, a crypto-Jew with a talent for casting spells tries to steer clear of the Inquisition.

Luzia Cotado, a scullion and an orphan, has secrets to keep: “It was a game she and her mother had played, saying one thing and thinking another, the bits and pieces of Hebrew handed down like chipped plates.” Also handed down are “refranes”—proverbs—in “not quite Spanish, just as Luzia was not quite Spanish.” When Luzia sings the refranes, they take on power. “Aboltar cazal, aboltar mazal” (“A change of scene, a change of fortune”) can mend a torn gown or turn burnt bread into a perfect loaf; “Quien no risica, no rosica” (“Whoever doesn’t laugh, doesn’t bloom”) can summon a riot of foliage in the depths of winter. The Inquisition hangs over the story like Chekhov’s famous gun on the wall. When Luzia’s employer catches her using magic, the ambitions of both mistress and servant catapult her into fame and danger. A new, even more ambitious patron instructs his supernatural servant, Guillén Santángel, to train Luzia for a magical contest. Santángel, not Luzia, is the familiar of the title; he has been tricked into trading his freedom and luck to his master’s family in exchange for something he no longer craves but can’t give up. The novel comes up against an issue common in fantasy fiction: Why don’t the characters just use their magic to solve all their problems? Bardugo has clearly given it some thought, but her solutions aren’t quite convincing, especially toward the end of the book. These small faults would be harder to forgive if she weren’t such a beautiful writer. Part fairy tale, part political thriller, part romance, the novel unfolds like a winter tree bursting into unnatural bloom in response to one of Luzia’s refranes, as she and Santángel learn about power, trust, betrayal, and love.

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

Pub Date: April 9, 2024

ISBN: 9781250884251

Page Count: 400

Publisher: Flatiron Books

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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