A must-own compendium illustrating the richness, joy, and power of the modern Black experience.
A dynamic mixed-media exhibition of Black creativity and culture.
“What does it mean to be Black and alive right now?” Born of a social media exchange between curator and activist Drew and New York Times Magazine staff writer Wortham, this unique collaboration seeks to answer that question. The work is vivid, juicy, thick—as fecund as all of Black culture—and equal parts anthology, scrapbook, and art exhibition. The editors and contributors make clear the “infinite” nature of Blackness via more than 500 crammed pages of essays, art, interviews, and ephemera organized around broad themes that include “Power,” “Joy,” and “Black is (Still) Beautiful.” The “Invited to the Cookout” section features pictures of the social media posts that birthed the Black Lives Matter movement and a survival guide instructing “How To Survive a Police Riot,” which includes useful, pointed directives—e.g., “Be alert for spies and paid agents….Do not respond to unknown calls for action of mass meetings. Act as if your life depended on everything you do.” In “Power,” we learn about Dust II Onyx, a tarot deck that lovingly mines the power of Black custom and imagery, as well as the inventive legacy of African farmers: “Our ancestral grandmothers in the Dahomey region of West Africa braided seeds of okra, molokhia, and Levant cotton into their hair before being forced to board transatlantic slave ships.” Ziwe Fumudoh explores how the Twitter hashtag #ThanksgivingWithBlackFamilies revealed the unique humor and tradition of a Black holiday, and Teju Cole offers an essay about the photography of Roy DeCarava, who captured the civil rights movement with contemplative pictures that played with the shadow and light of Black skin. In addition to introducing readers to numerous unknown artists, the editors of the volume include a host of luminaries: Ta-Nehisi Coates, Samantha Irby, Dawoud Bey, Hanif Abdurraqib, Zadie Smith, and Kiese Laymon.
A must-own compendium illustrating the richness, joy, and power of the modern Black experience.Pub Date: Dec. 1, 2020
ISBN: 978-0-399-18113-9
Page Count: 544
Publisher: One World/Random House
Review Posted Online: Nov. 4, 2020
Kirkus Reviews Issue: Dec. 1, 2020
BOOK REVIEW
PERSPECTIVES
SEEN & HEARD
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
A beautifully produced, engaging homage.
Celebrating a beloved artist.
Published to coincide with a major exhibition of works by British-born artist David Hockney (b. 1937) at the Fondation Louis Vuitton, Paris, this lushly illustrated volume offers a detailed overview of the artist’s life and work, along with chapters focused on his various styles and subject matter, a chronology, and a glossary of the many techniques he employed in his art, including camera lucida, computer, and video. Contributors of essays include noted art historians and curators, such as Norman Rosenthal, who edited the volume; Simon Schama; Anne Lyles; James Cahill; and François Michaud. Growing up in the north of England, Hockney was drawn to the light and sparkle that he found in Hollywood movies. When he finally arrived in Los Angeles, the sunlit landscapes inspired him, and his new sense of artistic freedom concurred with sexual freedom: As a gay man, he felt liberated from the constraints that had weighed on him in Britain, even in the “relative Bohemia” of the Royal College of Art. Essayists reflect on his artistic interests, such as landscapes, portraiture, flowers, and the opera—for which he created boldly exuberant sets—as well as on his influences and experimentation. Michaud examines the impact on Hockney of a visit to Paris in the 1970s, where he became familiar with Henri Matisse and his contemporaries from museum exhibitions. In the 1990s, visiting his mother and friends in Yorkshire, Hockney painted both outdoors and in the studio, experimenting with various media—including the photocopier and fax machine—as he worked to render the woodsy landscape. As a companion to the exhibition, the volume offers stunning reproductions of Hockney’s prolific works. Enormously popular with museumgoers, Hockney, Rosenthal exults, “transforms the ordinary and the everyday into the remarkable.”
A beautifully produced, engaging homage.Pub Date: June 3, 2025
ISBN: 9780500029527
Page Count: 328
Publisher: Thames & Hudson
Review Posted Online: April 16, 2025
Kirkus Reviews Issue: May 15, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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