Every monster, imaginary or not, will enjoy this and hopefully also find something to enjoy about school.
A grown-up monster describes in rhyming verse how monsters of all types go to school, and so must this child monster, no matter how glum about the prospect.
The copyright page and first spread show a very reluctant monster coming down the stairs, dragging a bouncing backpack, to a breakfast of mush. No text sets up this situation. Instead, the text reads “When Bigfoot wakes, he combs his hair…,” which is confusing since none of that is shown. The page turn then syncs text with image, showing Bigfoot jumping out of a tree to catch the bus: “and steps out in the morning air. / Yellow bus is waiting there. // Even Bigfoot goes to school.” The rhyming, smartly scanning stanzas continue, showing that Frankenstein (the monster, wearing Converse-like shoes), dragons, Yeti, bridge trolls, the Loch Ness Monster, Jack’s giant, and aliens all go to school. The last few spreads return to the titular monster, blue-furred with yellow horns and purple stripe and sporting a pink dress and purple backpack, getting ready and then happily waving goodbye while headed to the bus. Van Dusen’s gouache illustrations are spring-bright and cheerful, every (nonscary) imaginary beast delighting in some aspect of school. Once past the opening narrative hiccup, young readers will delight in the premise and in the myriad visual details, which do include gender-binary restrooms in one scene.
Every monster, imaginary or not, will enjoy this and hopefully also find something to enjoy about school. (Picture book. 3-7)Pub Date: June 18, 2019
ISBN: 978-0-06-236642-9
Page Count: 32
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 1, 2019
This magical wisp of a story has an imaginative message for both planners and improvisers.
Julia decides to pack up and move her House for Lost Creatures, creating a host of problems with unexpected results.
Julia has taken in a cacophony of lost creatures: dwarves, trolls, and goblins, a singular rarity of a mermaid, and a patchwork cat, among others. But now, the house feels ready for a move. As the ghost starts to fade and the mermaid languishes, Julia puts her plan into action—packing books and stacking boxes. The move quickly turns into a series of catastrophes. Trying to retain the facade of control, Julia is dismayed to see her plans making things worse. Knowledge of the previous title, Julia’s House for Lost Creatures (2014), is a helpful introduction, as Hatke turns the solution of the first book into the problem for this one. With skillful pacing, the story has messages for both planners and creatives. The problems seem beyond resolution, keeping readers in gleeful suspended tension. While the first book introduced readers to the gnomish folletti, a hedgehoglike ghillie comes to a dramatic rescue here. There are two disparate messages in one story: Kindness will be returned, and it is OK to not have a plan. Connecting them together are lush illustrations that stretch the mind and add details to mythic beasts. Julia presents white. (This book was reviewed digitally with 8.5-by-22-inch double-page spreads viewed at 25% of actual size.)
This magical wisp of a story has an imaginative message for both planners and improvisers. (Picture book. 3-7)Pub Date: Sept. 29, 2020
ISBN: 978-1-250-19137-3
Page Count: 40
Publisher: First Second
Review Posted Online: June 15, 2020
Kirkus Reviews Issue: July 1, 2020
BOOK REVIEW
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BOOK REVIEW
Chilling in the best ways.
When a young rabbit who’s struggling in school finds a helpful crayon, everything is suddenly perfect—until it isn’t.
Jasper is flunking everything except art and is desperate for help when he finds the crayon. “Purple. Pointy…perfect”—and alive. When Jasper watches TV instead of studying, he misspells every word on his spelling test, but the crayon seems to know the answers, and when he uses the crayon to write, he can spell them all. When he faces a math quiz after skipping his homework, the crayon aces it for him. Jasper is only a little creeped out until the crayon changes his art—the one area where Jasper excels—into something better. As guilt-ridden Jasper receives accolade after accolade for grades and work that aren’t his, the crayon becomes more and more possessive of Jasper’s attention and affection, and it is only when Jasper cannot take it anymore that he discovers just what he’s gotten himself into. Reynolds’ text might as well be a Rod Serling monologue for its perfectly paced foreboding and unsettling tension, both gentled by lightly ominous humor. Brown goes all in to match with a grayscale palette for everything but the purple crayon—a callback to black-and-white sci-fi thrillers as much as a visual cue for nascent horror readers. (This book was reviewed digitally.)
Chilling in the best ways. (Picture book. 4-7)Pub Date: Aug. 23, 2022
ISBN: 978-1-5344-6588-6
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: May 24, 2022
Kirkus Reviews Issue: June 15, 2022
BOOK REVIEW
BOOK REVIEW
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PERSPECTIVES
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