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VAMPIRES OF MANHATTAN

Over-the-top drama and a breezy pace leave more to look forward to in the series.

De la Cruz’s new adult series based on her Blue Bloods books for teens (Gates of Paradise, 2013, etc.) starts off with a fang.

The Upper East Side is no longer the hub of activity for Manhattan’s elite underground coven of fallen angels who live among humans as vampires. Ten years after defeating Lucifer in an epic battle, the Blue Bloods have grown up and moved to trendier parts of Manhattan and Brooklyn to keep evil at bay while building their fine art collections and wishing their immortality could extend to their marriages. Jumping quickly between narrators and time frames, the lengthy exposition plays out like a television drama centering on the Four Hundred Ball, where Oliver Hazard-Perry will be anointed leader of the vampire coven with his “mortal beloved,” Finn Chase, at his side. But Finn is growing tired of feeling like a second-class citizen, and her attempts to rebel are the stuff of tabloids. So are Kingsley Martin’s. Left to rot in hell—literally—by his wife, Mimi, Kingsley’s New York homecoming takes a creepy turn when he’s linked to a missing teenage girl. Mimi, who now works in an art gallery, is busy preparing a curious collection of artwork painted in red blood for the ball, though she clearly misses Kingsley and wants him to stay. Working behind the scenes to keep the celebration from becoming a blood bath are vampire detective Ara Scott and her newly assigned partner, werewolf Edon Marrok; they track a killer who has left a trail of bloody pentagrams throughout the city. Following leads while trying not to expose the vampires to the mortal world, the investigators uncover some of the story’s most scandalous details as they find security breaches that signal trouble for humans and vampires alike. Jack and Schuyler fans will have to wait until the epilogue for an update, but it comes with a teaser for the next book.

Over-the-top drama and a breezy pace leave more to look forward to in the series.

Pub Date: Sept. 9, 2014

ISBN: 978-1-4013-2471-1

Page Count: 288

Publisher: Hachette

Review Posted Online: Jan. 18, 2015

Kirkus Reviews Issue: Oct. 1, 2014

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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DARK MATTER

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.

Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

Pub Date: July 26, 2016

ISBN: 978-1-101-90422-0

Page Count: 352

Publisher: Crown

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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