Next book

IN THE HURRICANE'S EYE

THE GENIUS OF GEORGE WASHINGTON AND THE VICTORY AT YORKTOWN

A tense, richly detailed narrative of the American Revolution.

In 1781, discouraged after five years of war, George Washington finally saw the tide turn.

National Book Award winner Philbrick (Valiant Ambition: George Washington, Benedict Arnold, and the Fate of the American Revolution, 2016, etc.) reprises the protagonists of his last history of the War of Independence in a meticulously researched recounting of the events leading up to the colonists’ victory at the Battle of Yorktown. Focusing on naval and military strategy, Philbrick—like Tom Shachtman in How the French Saved America (2017)—reveals the critical contributions made by the French navy, a fleet that had improved substantially since its defeat by Britain in the Seven Years’ War. In France’s Académie de Marine, students were taught “to think of a naval battle in terms of a chess game rather than a brawl,” inciting, “for the first time in centuries, a whisper of doubt” in the “collective psyche of the British navy.” Although British commanders were determined to win, they were faced with passionate French military men, such as the young Marquis de Lafayette, the Comte de Grasse, and the Comte de Rochambeau, as well as recalcitrant colonists. British successes emboldened, rather than intimidated, patriots. “Broken up into thirteen largely self-sufficient entities,” the author asserts, “the United States was a segmented political organism that was almost impossible for the British army to kill.” However, American soldiers were in a weakened state, starving and unpaid. Washington, who had recently learned of Benedict Arnold’s betrayal, feared mutiny. But, Philbrick argues persuasively, Arnold’s treason actually strengthened the patriots’ resolve “by serving as a cautionary tale during one of the darkest periods of the war.” The author portrays Washington as an aggressive, undaunted leader—even when facing distressing personal problems—who emitted a “charismatic force field.” One British officer reported feeling “awestruck as if he was before something supernatural” in Washington’s presence. Philbrick, a sailor himself, recounts the strategic maneuvering involved in the many naval encounters: ships’ positions, wind direction and strength, and the “disorienting cloud of fire and smoke” that often imperiled the fleet.

A tense, richly detailed narrative of the American Revolution.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-42676-9

Page Count: 384

Publisher: Viking

Review Posted Online: Aug. 12, 2018

Kirkus Reviews Issue: Sept. 1, 2018

Next book

NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

Next book

THE DISTANCE BETWEEN US

A MEMOIR

A standout immigrant coming-of-age story.

In her first nonfiction book, novelist Grande (Dancing with Butterflies, 2009, etc.) delves into her family’s cycle of separation and reunification.

Raised in poverty so severe that spaghetti reminded her of the tapeworms endemic to children in her Mexican hometown, the author is her family’s only college graduate and writer, whose honors include an American Book Award and International Latino Book Award. Though she was too young to remember her father when he entered the United States illegally seeking money to improve life for his family, she idolized him from afar. However, she also blamed him for taking away her mother after he sent for her when the author was not yet 5 years old. Though she emulated her sister, she ultimately answered to herself, and both siblings constantly sought affirmation of their parents’ love, whether they were present or not. When one caused disappointment, the siblings focused their hopes on the other. These contradictions prove to be the narrator’s hallmarks, as she consistently displays a fierce willingness to ask tough questions, accept startling answers, and candidly render emotional and physical violence. Even as a girl, Grande understood the redemptive power of language to define—in the U.S., her name’s literal translation, “big queen,” led to ridicule from other children—and to complicate. In spelling class, when a teacher used the sentence “my mamá loves me” (mi mamá me ama), Grande decided to “rearrange the words so that they formed a question: ¿Me ama mi mamá? Does my mama love me?”

A standout immigrant coming-of-age story.

Pub Date: Aug. 28, 2012

ISBN: 978-1-4516-6177-4

Page Count: 320

Publisher: Atria

Review Posted Online: June 11, 2012

Kirkus Reviews Issue: July 1, 2012

Close Quickview