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REIMAGINING BEN

A humorous and entertaining character study of two brothers besieged by the preposterous.

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In this lightly absurdist comedy, fraternal twin brothers find their lives upended by a narcissistic writer and exacerbated by their unresolved rivalry.

Jay and George Raven are a curious and contentious pair of siblings living in North London. The foulmouthed George is a celebrity biographer who flamboyantly reinvents his subjects’ lives for his readers. All he says and does is equal parts clever and crushing, and he rarely lets up on his brother for being born mere minutes before he was. In contrast, Jay is a librarian and serial apologizer, envious of George’s good looks and his confidence as a gay man. These are the reasons he’s never come out himself, and in fact Jay denies he’s gay despite his brother’s insistence that he is. Still, Jay is excited about “the event,” a meet-up with a man, supposedly a stranger, whom he will join naked in bed for just a conversation, an odd yet enticing interview George has set up. But the night before the event, George’s beautiful friend Bendy Andy, who spends time dressing as a stunning Marilyn Monroe with a Meryl Streep nose, introduces the siblings to a popular writer named Ben Eversham. Ben claims to be a fan of George’s but greets him with contempt, exposing himself as a compulsive liar. Ben quickly entangles Jay in a night of coincidences and mysteries involving the proprietors of a local cafe, escorts, organized crime, and two name-dropping police officers. The event is equally surprising for Jay, as the man in the bed turns out to be his brother’s best friend, Tom, “George’s only love.” But Tom is also a lost love of Jay’s—a situation George paradoxically orchestrates but also seethes with contempt over. Early on, George notes that “nonsense is the meaning of life,” a welcoming nod to the good time that awaits readers.

Cacoyannis’ novel recalls Tom Stoppard’s play Rosencrantz and Guildenstern Are Dead in that beyond one uproarious moment when Jay and Andy have to stop George from hanging Ben with a makeshift noose, much of the action takes place offstage. The characters’ interpersonal conflicts and the fallout of Ben’s unscrupulous conduct are dealt with in the book’s consuming, sometimes volatile dialogue. But it is not just what the characters say that charms in each scene. Even minor acts, such as ordering drinks at a restaurant, reveal much about the players through their tics, pauses, and silences with an impressive thrift. The story employs a subtle absurdism in its comedy, crafting a world that could almost be real (most of these characters are writers, models, and artists, after all) save for the overwhelming volume of fun coincidences that even later disclosures cannot completely explain. One revelation encompasses a drunken automobile accident, a rare tonal misstep that goes largely unresolved. The tragedy seems far too grave because it directly involves George as opposed to the often comedic, criminal debauchery of Ben. Yet in a book of big, farcically dramatic moments, such as the fighting over the noose, Ben’s projectile vomiting, and Jay’s fainting from the heat like a Victorian protagonist, this level of seriousness is largely left by the wayside for more amusing fumblings by the brothers and their lovers.

A humorous and entertaining character study of two brothers besieged by the preposterous.

Pub Date: Feb. 13, 2023

ISBN: 9798373946506

Page Count: 264

Publisher: Self

Review Posted Online: Jan. 16, 2023

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  • New York Times Bestseller

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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LONG ISLAND

A moving portrait of rueful middle age and the failure to connect.

An acclaimed novelist revisits the central characters of his best-known work.

At the end of Brooklyn (2009), Eilis Lacey departed Ireland for the second and final time—headed back to New York and the Italian American husband she had secretly married after first traveling there for work. In her hometown of Enniscorthy, she left behind Jim Farrell, a young man she’d fallen in love with during her visit, and the inevitable gossip about her conduct. Tóibín’s 11th novel introduces readers to Eilis 20 years later, in 1976, still married to Tony Fiorello and living in the titular suburbia with their two teenage children. But Eilis’ seemingly placid existence is disturbed when a stranger confronts her, accusing Tony of having an affair with his wife—now pregnant—and threatening to leave the baby on their doorstep. “She’d known men like this in Ireland,” Tóibín writes. “Should one of them discover that their wife had been unfaithful and was pregnant as a result, they would not have the baby in the house.” This shock sends Eilis back to Enniscorthy for a visit—or perhaps a longer stay. (Eilis’ motives are as inscrutable as ever, even to herself.) She finds the never-married Jim managing his late father’s pub; unbeknownst to Eilis (and the town), he’s become involved with her widowed friend Nancy, who struggles to maintain the family chip shop. Eilis herself appears different to her old friends: “Something had happened to her in America,” Nancy concludes. Although the novel begins with a soap-operatic confrontation—and ends with a dramatic denouement, as Eilis’ fate is determined in a plot twist worthy of Edith Wharton—the author is a master of quiet, restrained prose, calmly observing the mores and mindsets of provincial Ireland, not much changed from the 1950s.

A moving portrait of rueful middle age and the failure to connect.

Pub Date: May 7, 2024

ISBN: 9781476785110

Page Count: 304

Publisher: Scribner

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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