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THE CREATIVE ADVANTAGES OF SCHIZOPHRENIA

THE MUSE AND THE MAD HATTER

Despite some dense prose, this work offers a stimulating investigation into an important scientific topic.

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A scholarly analysis explores the link between psychopathology—in particular, positive schizotypy—and creativity.

As debut author Kiritsis observes, creativity has long been associated with “divine madness” and the inspired artist with tortured insanity. He aims to make the case that there is, in fact, a “connection between the schizospectrum, bipolar, and substance abuse disorders and creativity.” More specifically, the author investigates the possibility that psychosis and creativity “share polygenetic roots” and that “the inner mental processes experienced as delusional beliefs and hallucinations by the inwardly disordered may also be the fountainhead and raw underpinning of creative thought.” Kiritsis focuses on positive schizotypy, which characterizes “highly imaginative” and “internally preoccupied” people who tend to hold beliefs about the world that are unconventionally drawn to the mystical and supernatural. The author furnishes a rigorously synoptic history of schizophrenia and its treatment, including an edifying discussion of the modern tendency to overinterpret it as a “brain disease” and handle it accordingly by pharmaceutical means. He raises provocative questions about the peculiar evolutionary resilience of schizophrenia, which, he argues, suggests that creativity is among its “compensatory advantages.” As Kiritsis points out, his study has “profound clinical and social implications,” not just for the understanding of psychopathology and its treatment, but also as a potential means to disabuse the “profusion of ignorance around mental illness” so common today. Furthermore, the work also points the way to a less idolatrous embrace of “the hegemony of the Western-mind sciences,” which, as a consequence of an unbridled materialism, immediately classifies spiritual experiences as aberrant hallucinations. The book is brimming with haunting images by debut illustrator Christos Stamboulakis, the author’s cousin, and others, many of which depict the struggle with psychosis. Kiritsis’ study is painstakingly argued—he furnishes a model of experimental meticulousness. In addition, the analysis is not just scientifically exacting, but reasonable as well—he draws on both his work as a “burgeoning clinician” and his experiences as an “untutored eyewitness.” The subject matter is drawn from Kiritsis’ doctoral dissertation and often reads precisely like that: long, crashing sentences brimming with gratuitously technical jargon turbidly conveyed. But beneath the topsoil of academic-speak, there is a genuinely intriguing exploration of creativity.

Despite some dense prose, this work offers a stimulating investigation into an important scientific topic. 

Pub Date: June 1, 2019

ISBN: 978-1-5275-3165-9

Page Count: 133

Publisher: BookBaby

Review Posted Online: Nov. 27, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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