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SONS AND DAUGHTERS OF EASE AND PLENTY

Ausubel’s magical, engrossing prose style perfectly fits this magical, engrossing story.

Fortunes and hearts are lost and found in a modern fairy tale set in the 1960s and '70s.

Ausubel’s (A Guide to Being Born, 2013, etc.) trademark combination of realist narrative with fabulist elements shines in this novel that includes everything from Vietnam War casualties and a West Virginia mine disaster to a road trip with a giant, an escape by sailboat, and children on their own in a wood. It begins on Labor Day weekend, 1976, at the summer house of Fern and Edgar Keating and their three children. Fern receives a call from her family lawyer that not a penny is left of the fortune she was to inherit from her recently deceased parents. And while Edgar could “go back and take over the family steel company in Chicago…[i]t was the very last thing he wanted to do. He would not be able to publish the novel he had spent ten years writing because it was about the son of a steel baron who walks away from his father’s money.” This is a first-world problem to be sure, but it rocks the Keatings’ world. Edgar wanders off to a pot party and gets way too involved with a louche woman in white bell-bottoms named Glory. Meanwhile, Fern is inveigled into playing the bride in a fake wedding put on to entertain Alzheimer’s patients in a nursing home, then takes off for California with her groom, who is literally a giant. Both Fern and Edgar leave town thinking the other is still at home—but in fact, their kids are all alone, with only fourth-grader Cricket to take care of her kindergarten-age twin brothers. Interwoven with this '70s story are sections set in 1965, filling in marvelous detail about Fern's and Edgar’s parents, the early days of their love, and the fate of Fern’s own adored twin.

Ausubel’s magical, engrossing prose style perfectly fits this magical, engrossing story.

Pub Date: June 14, 2016

ISBN: 978-1-59463-488-8

Page Count: 304

Publisher: Riverhead

Review Posted Online: March 2, 2016

Kirkus Reviews Issue: March 15, 2016

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE TATTOOIST OF AUSCHWITZ

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

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An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 16, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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