by Sasha Quinton ; illustrated by Brigette Barrager ; photographed by Michel Tcherevkoff ‧ RELEASE DATE: April 21, 2015
A celebration of girlyness with a strong female character, this is sure to be a favorite of all who daydream in pink.
Meet Florabelle, “a little girl with big rosy-red dreams.”
Florabelle has wondrous visions of herself as queen, ballerina and cowgirl, festooned with flowers and awash in loveliness. But with her head always in the clouds, she is often late and seldom hears or listens to what others say. Whimsical, gently humorous text depicts Florabelle’s dreams and struggles, while sparkling, pink illustrations replete with sweetness spill over the pages as Florabelle decides to show she can be serious in order to go on a trip to the beach with her caring but exasperated family. When the ocean proves more daunting than she’d supposed, Florabelle ends up stranded on shore. Can she use her imagination to help her through? Perhaps a mermaid daydream will do….The pinkalicious renderings of fairylike daydreams are created by collaging Tcherevkoff’s photographs of flowers into Barrager’s cartoons; the often overwhelming effect does get across Florabelle’s consuming distraction. This candy-coated selection escapes princess clichés by allowing Florabelle to overcome her fears, rescue herself and learn how to focus to boot. And that focus comes in handy when it’s time for sleep—she hears every loving word her mother says while tucking her in bed.
A celebration of girlyness with a strong female character, this is sure to be a favorite of all who daydream in pink. (Picture book. 3-6)Pub Date: April 21, 2015
ISBN: 978-0-06-229182-0
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Jan. 19, 2015
Kirkus Reviews Issue: Feb. 1, 2015
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by Sasha Quinton ; illustrated by Thomas Hegbrook
by Pip Jones ; illustrated by Sara Ogilvie ‧ RELEASE DATE: March 1, 2020
A disappointing follow-up.
Inventor Izzy Gizmo is back in this sequel to her eponymous debut (2017).
While busily inventing one day, Izzy receives an invitation from the Genius Guild to their annual convention. Though Izzy’s “inventions…don’t always work,” Grandpa (apparently her sole caregiver) encourages her to go. The next day they undertake a long journey “over fields, hills, and waves” and “mile after mile” to isolated Technoff Isle. There, Izzy finds she must compete against four other kids to create the most impressive machine. The colorful, detail-rich illustrations chronicle how poor Izzy is thwarted at every turn by Abi von Lavish, a Veruca Salt–esque character who takes all the supplies for herself. But when Abi abandons her project, Izzy salvages the pieces and decides to take Grandpa’s advice to create a machine that “can really be put to good use.” A frustrated Izzy’s impatience with a friend almost foils her chance at the prize, but all’s well that ends well. There’s much to like: Brown-skinned inventor girl Izzy is an appealing character, it’s great to see a nurturing brown-skinned male caregiver, the idea of an “Invention Convention” is fun, and a sustainable-energy invention is laudable. However, these elements don’t make up for rhymes that often feel forced and a lackluster story.
A disappointing follow-up. (Picture book. 3-6)Pub Date: March 1, 2020
ISBN: 978-1-68263-164-5
Page Count: 32
Publisher: Peachtree
Review Posted Online: Jan. 11, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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by Pip Jones ; illustrated by Sara Ogilvie
BOOK REVIEW
by Pip Jones ; illustrated by Laura Hughes
BOOK REVIEW
by Pip Jones ; illustrated by Ella Okstad
by Chloe Perkins ; illustrated by Sandra Equihua ‧ RELEASE DATE: Sept. 13, 2016
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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More In The Series
adapted by Hannah Eliot ; illustrated by Nivea Ortiz
by Chloe Perkins ; illustrated by Dinara Mirtalipova
by Chloe Perkins ; illustrated by Archana Sreenivasan
More by Chloe Perkins
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by Chloe Perkins ; illustrated by Dinara Mirtalipova
BOOK REVIEW
by Chloe Perkins ; illustrated by Archana Sreenivasan
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