The closing volume should tie up those loose ends with, if the first two volumes are indicators, wild swings of terror and...
In a middle volume framed as a battle of the sexes, the author pulls some clever switcheroos (The School for Good and Evil, 2013).
A sincere if ill-timed wish summons Agatha and Sophie back to the twinned School for Good and Evil—to find it transformed into separate schools for girls and for boys. The latter is filled with brutal, callous, unwashed louts led (at first) by vengeful Tedros of Camelot. A scary new dean in the former has changed the fairy-tale textbooks to make all the male characters evil and instituted radical policies for the girls: “We wear pants, we don’t do our nails…we even eat cheese!” Though Chainani tries to keep the rival camps entirely separate by leaving out any hint of sex or even (a mighty pull between Agatha and Tedros aside) romance, Sophie’s temporary transformation into a boy at one point to sneak into the other school leads to a tender scene with Tedros. Another character turns out to be a spell-disguised boy who just preferred the girls’ school. Readers will be drawn in by set pieces, including the currently obligatory Hunger Games–style competition, but nearly all turn out to be incidental to the broader plot, which ends, of course, in a cliffhanger.
The closing volume should tie up those loose ends with, if the first two volumes are indicators, wild swings of terror and hilarity. (Fantasy. 11-13)Pub Date: April 15, 2014
ISBN: 978-0-06-210492-2
Page Count: 448
Publisher: Harper/HarperCollins
Review Posted Online: March 2, 2014
Kirkus Reviews Issue: March 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
A terrific premise buried beneath problem-novel tropes.
A gaggle of eighth graders find the coolest clubhouse ever.
Fulfilling the fantasies of anyone who’s ever constructed a fort in their bedroom or elsewhere, Korman hands his five middle schoolers a fully stocked bomb shelter constructed decades ago in the local woods by an eccentric tycoon and lost until a hurricane exposes the entrance. So, how to keep the hideout secret from interfering grown-ups—and, more particularly, from scary teen psychopath Jaeger Devlin? The challenge is tougher still when everyone in the central cast is saddled with something: C.J. struggles to hide injuries inflicted by the unstable stepdad his likewise abused mother persists in enabling; Jason is both caught in the middle of a vicious divorce and unable to stand up to his controlling girlfriend; Evan is not only abandoned by drug-abusing parents, but sees his big brother going to the bad thanks to Jaeger’s influence; Mitchell struggles with OCD–fueled anxieties and superstitions; and so forth. How to keep a story overtaxed with issues and conflicts from turning into a dreary slog? Spoiler alert: Neither the author nor his characters ultimately prove equal to the challenge. With the possible exception of Ricky Molina, one of the multiple narrators, everyone seems to be White.
A terrific premise buried beneath problem-novel tropes. (resources, author’s note) (Fiction. 11-13)Pub Date: June 28, 2022
ISBN: 978-1-338-62914-9
Page Count: 256
Publisher: Scholastic
Review Posted Online: March 28, 2022
Kirkus Reviews Issue: April 15, 2022
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