Brilliant reportage, with all the details in place—a stunning debut.
The Pulitzer-winning journalist (Wall Street Journal, Ms., Miami Herald) explores the real status of American women in the 1990s in this powerful and long-overdue myth-buster—an instant classic and a valuable companion to Paula Kamen's Feminist Fatale.
College-educated women over 30 are more likely to be killed by a terrorist than to marry. Working women enjoy their careers at the expense of their children's welfare. If you're female, you can't really have it all. So go the modern myths that were born in the 1980s, despite the era's supposedly "liberated" image, and that have terrorized American women ever since. The trouble, claims Faludi, is not only that the myths aren't true, but that through deliberate action or passive collusion the government, media, and popular culture have ensured their overpowering influence on the public. Her interest sparked by her discovery that the Harvard-Yale marriage-for-women-over-30 study was based on very shaky methodology, but that there was resistance in both the media and government to correcting its conclusions, Faludi went on to uncover the unacknowledged but frighteningly widespread backlash against feminism that has taken place under the surface of '80s careerism. Taking the reader step by step through the creation of wildly anti-feminist '80s myths and backlashes in popular culture (Fatal Attraction, the "New Traditionalism," the new "feminine" fashions); in politics (reproductive rights, the female New Right); in popular psychology ("to improve your marriage, change yourself"); in the workplace (lack of day care, parental leave, the wage gap); and in health (white career women's supposed sterility vs. black women's actual, unaddressed, sterility problem), Faludi convincingly peels back layers of deliberate and passive misrepresentation to reveal what she sees as the underlying message of the Reagan-Bush era: Women's problems are a direct result of too much independence, and no one but feminists are to blame. Historically, backlashes have always followed feminist gains, Faludi points out; the necessity is to see behind today's hip "postfeminist" apathy to the injustices still being done.
Brilliant reportage, with all the details in place—a stunning debut.Pub Date: Nov. 1, 1991
ISBN: 0-517-57698-8
Page Count: 544
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1991
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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