Grown-ups will enjoy reading this regularly with the children in their lives: The reminders benefit us all.
Verde and Reynolds (I am Yoga, 2015; I Am Peace, 2017) team up again, this time to explore what it means to be human.
A child in red-striped shirt and blue jeans explores the range of possibilities open to them as a human being. Starting with “I was born. A miracle! One of billions but unique!” the narrator lists activities (“I am always learning”; “I have BIG dreams”) and feelings (“I am amazed by nature”). After rejoicing in the positive, the child finds that they sometimes make mistakes, hurt others, and are hurt. They explore the difficult sides of being human: fear and sadness. Here, the colors of the illustrations dull to a greyish blue. But they have a solution. They can “make choices” and “move forward” with “thoughtfulness” (giving flowers to that friend they hurt). When the child chooses kindness, compassion, listening, and saying sorry, they find that they are connected to everyone, and they resolve to keep trying, because “I am full of hope. I am human.” Reynolds’ simple line drawings with bursts of color have become iconic, and they serve the simple, affirming text with their own vision of the emotions and possibilities we humans have in this wide world. He depicts the protagonist with brown skin and black, curly hair amid a multiracial gathering of other children and adults. An author’s note guides readers through a loving-kindness meditation as an example of how one can choose to improve one’s relationships with others.
Grown-ups will enjoy reading this regularly with the children in their lives: The reminders benefit us all. (Picture book. 3-9)Pub Date: Oct. 2, 2018
ISBN: 978-1-4197-3165-5
Page Count: 32
Publisher: Abrams
Review Posted Online: July 15, 2018
Kirkus Reviews Issue: Aug. 1, 2018
An accessible entrance into the world of social-emotional skills.
What do you do when the world turns upside down?
Freckled redhead Tilda is a happy only child with a rollicking personality. With lots of books and toys and a multiracial group of friends, life is perfect as far as she’s concerned…until her world undergoes a troubling change (a subtle hint in the illustrations suggests that Tilda’s parents have divorced). Suddenly, nothing feels right, everything seems hard, and she doesn’t want to play with her friends. To reflect this emotional disorientation, the artwork shows Tilda in spatially distorted settings, complete with upside-down objects. It’s not until she sees an upturned ladybug struggle persistently before getting back on its feet (despite Tilda’s desire to help, the ladybug needs to help itself) that Tilda gains the courage to start taking baby steps in order to cope with her new reality. There are still challenges, and she needs to persevere, but eventually, she regains her zest for life and reconnects with her friends. Despite this, the ending avoids an easy happily-ever-after, which feels just right for the subject matter. Though a trifle didactic, the story sends an important message about the roles of self-efficacy and persistence when it comes to overcoming challenges and building resilience. Percival’s digital illustrations use transitions from grayscale to color to create symbolic meaning and have psychological depth, deftly capturing a child’s experience of trauma.
An accessible entrance into the world of social-emotional skills. (author's note) (Picture book. 3-6)Pub Date: March 1, 2022
ISBN: 978-1-5476-0822-5
Page Count: 32
Publisher: Bloomsbury
Review Posted Online: Dec. 26, 2021
Kirkus Reviews Issue: Jan. 15, 2022
A rite of passage seen through the lens of a favorite literary pal.
Llama Llama loses a tooth for the first time.
All of the wiggling can make having a loose tooth fun, but there can be some worry, too. How will it fall out? There is a tooth fairy? What does she do? Llama Llama is distressed. “Is it fun? / Or is it scary? / Just who, exactly, / IS this Fairy?” Luckily, Mama is there to help. “The Fairy’s great. She’s kind and funny. / She takes your tooth / and leaves you money.” Llama Llama is on board with that! Appropriately, exactly how much money is never specified, but the tiny llama fairy is shown carrying a bag stuffed with bills. Hopefully she has many houses to visit. Gram and Grandpa have lots of ideas on how to get the tooth to fall out, but Llama’s tooth stays put until bedtime. Suddenly, Llama realizes his tooth is gone: “OH NO. / Where is that tooth? / Where did it GO?” Will the tooth fairy come if the tooth is lost? The comforting cadence of the rhymes paired with warm, textured hues soften all the drama. As in the other posthumously published Llama Llama books, Morrow’s textured paintings emulate Dewdney’s definitively lined renderings. The fluttering llama fairy, along with Llama’s stuffed llama, whose wide eyes notice all, will delight eagle-eyed readers. (This book was reviewed digitally with 10.3-by-20-inch double-page spreads viewed at 41.8% of actual size.)
A rite of passage seen through the lens of a favorite literary pal. (Picture book. 3-6)Pub Date: Nov. 17, 2020
ISBN: 978-0-593-20603-4
Page Count: 40
Publisher: Viking
Review Posted Online: Sept. 28, 2020
Kirkus Reviews Issue: Oct. 15, 2020
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