While it eventually turns melodramatic, this tale offers an appealingly honest portrayal of aspirant baseball players.
Three minor league pitchers contend with fate in this debut novel.
Growing up outside Boston under the shadow of his father’s unrealized major league baseball dreams, Jimmy Bailey wishes to succeed where his dad could not. That’s why he’s willing to board with a strange family in Jamestown, New York, in the early 1970s. He isn’t the only pitcher there to play ball for a Single-A affiliate of the Montreal Expos. There’s also Bobby Mangino, a hotheaded New Yorker with some father issues of his own to work out, and Bud Prescott, an aw-shucks optimist from Athens, Georgia. The three young athletes must contend with their nerves, ambitions, and abilities to throw fastballs as they spend the summer competing to move forward toward their dreams of the big leagues. “We’re all in the same boat: all-stars in our high schools, Babe Ruth and Connie Mack ball,” narrates Jimmy. “People at home knew who we are. Here, we are essentially nothing but three passengers jammed into the back seat of a Dodge station wagon—until we can prove otherwise.” They must face the expected obstacles. But the unforeseen tragedies (bodily, legal, and otherwise) will remind them that once they leave the field, they still have to compete in the most important game of all: the rest of their lives. Fischer adeptly—and often lyrically—captures the mindset of her characters, both their love of their sport and the things that they’ve given up to pursue it: “There’s nothing better than the smell that fills every corner, every inch, of a ballpark on a sunny spring day....The aroma makes me feel high. I bet it’s like sniffing cocaine or drinking too much tequila. But I’ve never done that. I’ve only gotten high on baseball.” The author wrings genuine emotions from the tale, making sure that readers know what’s at stake for these young men. This is perhaps why some shocking third act developments feel histrionic and unnecessary. Even so, Fischer manages to clearly communicate her ultimate message: that baseball holds more humiliation than it does glory, and far more losers than winners.
While it eventually turns melodramatic, this tale offers an appealingly honest portrayal of aspirant baseball players.Pub Date: Oct. 23, 2017
ISBN: 978-0-9995049-0-1
Page Count: 260
Publisher: Spring Training Media
Review Posted Online: Dec. 20, 2017
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
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Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
BOOK TO SCREEN
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