This is one of the very best of Rylant's Putter-Tabby dyad, as always affectionately depicted by the master of droll illustration. Mr. Putter decides to buy some fish to have at home. They remind him of his childhood. Tabby likes fish too. They "made her whiskers tingle and her tail twitch." And how: "Mr. Putter and Tabby drove their fish home. Tabby nearly twitched herself out of the car." Once they are home and the fish safely in their bowl, Tabby's whiskers chill and her tail quietens, but her paw swings into action. "Bat. Bat. Bat. Bat." It goes against the glass bowl. She can't control herself. By the time evening rolls around, Tabby is so frazzled it looks like she will have to enter a treatment program. So Mr. Putter drapes a pillowcase over the fishbowl. In the morning Tabby is found under the pillowcase and hard at batting the bowl. Mr. Putter is reduced to putting a metal pail over the bowl. A few days of that sad arrangement and they decide to give the fish to their neighbor Mrs. Teaberry. Like great farce, Rylant has chosen every word impeccably and Howard has drawn Tabby to a T, tingling whiskers, wayward paw, and all. Readers young and old will laugh themselves silly. (Easy reader. 4-9)
Pub Date: March 1, 2001
ISBN: 0-15-202408-5
Page Count: 44
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Lunge-Larsen and Preus debut with this story of a flower that blooms for the first time to commemorate the uncommon courage of a girl who saves her people from illness. The girl, an Ojibwe of the northern woodlands, knows she must journey to the next village to get the healing herb, mash-ki- ki, for her people, who have all fallen ill. After lining her moccasins with rabbit fur, she braves a raging snowstorm and crosses a dark frozen lake to reach the village. Then, rather than wait for morning, she sets out for home while the villagers sleep. When she loses her moccasins in the deep snow, her bare feet are cut by icy shards, and bleed with every step until she reaches her home. The next spring beautiful lady slippers bloom from the place where her moccasins were lost, and from every spot her injured feet touched. Drawing on Ojibwe sources, the authors of this fluid retelling have peppered the tale with native words and have used traditional elements, e.g., giving voice to the forces of nature. The accompanying watercolors, with flowing lines, jewel tones, and decorative motifs, give stately credence to the story’s iconic aspects. (Picture book/folklore. 4-8)
Pub Date: March 1, 1999
ISBN: 0-395-90512-5
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1999
This vibrant, thoughtful book from Katz (Over the Moon, 1997) continues her tribute to her adopted daughter, Lena, born in Guatemala. Lena is “seven. I am the color of cinnamon. Mom says she could eat me up”; she learns during a painting lesson that to get the color brown, she will have to “mix red, yellow, black, and white paints.” They go for a walk to observe the many shades of brown: they see Sonia, who is the color of creamy peanut butter; Isabella, who is chocolate brown; Lucy, both peachy and tan; Jo-Jin, the color of honey; Kyle, “like leaves in fall”; Mr. Pellegrino, the color of pizza crust, golden brown. Lena realizes that every shade is beautiful, then mixes her paints accordingly for portraits of her friends—“The colors of us!” Bold illustrations celebrate diversity with a child’s open-hearted sensibility and a mother’s love. (Picture book. 6-8)
Pub Date: Sept. 1, 1999
ISBN: 0-8050-5864-8
Page Count: 28
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1999
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