A thought-provoking SF tale recalling the heady works of William Gibson and Philip K. Dick.
In Rozental’s dystopic novel, one man descends into madness—or possibly finds transcendence—as he struggles to distinguish between reality, hallucinations, and AI virtual worlds.
Set in a near future in which Venice and other coastal cities are underwater, Paris has been incinerated in a nuclear blast, and surviving cities like Moscow are plagued by permanent rolling blackouts, the vast majority of humanity finds escape in the Flow, a virtual-reality simulation of the world that’s powered by users’ subconscious desires. The story follows Nikolai Vasilyev, who’s a shadow of the man he used to be. Once a renowned actor, he’s now a down-and-out alcoholic struggling to come to grips with the death of his wife, who died years earlier. Essentially begging for some vegetables and a bottle of vodka at a store in an impoverished Moscow neighborhood, Nikolai agrees to deliver a gift (a wooden case containing two glass beakers filled with a transparent liquid) to the store proprietor’s cousin. But the simple deed goes awry as Nikolai questions whether he’s hallucinating, institutionalized in a mental hospital, stuck inside the Flow, or a spy in a secret program run by an AI research institute. With what might be the spirit of his dead wife leading him through a surreal dreamscape, Nikolai finally discovers the mind-blowing truth. Powered by an unreliable narrator and set in an all-too-plausible future inhabited by zombified VR users who have lost touch with the real world, the mind-bending narrative works so well in large part because of the author’s utterly compelling prose style. Rozental’s use of darkly lyrical imagery throughout is an undeniable strength: Old apple trees loom in the darkness as “huge spiders,” a woman’s wrinkled hands and crooked fingers resemble “the branches of a rain-starved tree,” and a white church melts into the darkness “like a lump of sugar in a cup of hot coffee.”
A thought-provoking SF tale recalling the heady works of William Gibson and Philip K. Dick.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: N/A
Review Posted Online: April 24, 2024
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Remarkable, revelatory and not to be missed.
Strange and fascinating alien-contact yarn, the first of a trilogy from China’s most celebrated science-fiction author.
In 1967, at the height of the Cultural Revolution, young physicist Ye Wenjie helplessly watches as fanatical Red Guards beat her father to death. She ends up in a remote re-education (i.e. forced labor) camp not far from an imposing, top secret military installation called Red Coast Base. Eventually, Ye comes to work at Red Coast as a lowly technician, but what really goes on there? Weapons research, certainly, but is it also listening for signals from space—maybe even signaling in return? Another thread picks up the story 40 years later, when nanomaterials researcher Wang Miao and thuggish but perceptive policeman Shi Qiang, summoned by a top-secret international (!) military commission, learn of a war so secret and mysterious that the military officers will give no details. Of more immediate concern is a series of inexplicable deaths, all prominent scientists, including the suicide of Yang Dong, the physicist daughter of Ye Wenjie; the scientists were involved with the shadowy group Frontiers of Science. Wang agrees to join the group and investigate and soon must confront events that seem to defy the laws of physics. He also logs on to a highly sophisticated virtual reality game called “Three Body,” set on a planet whose unpredictable and often deadly environment alternates between Stable times and Chaotic times. And he meets Ye Wenjie, rehabilitated and now a retired professor. Ye begins to tell Wang what happened more than 40 years ago. Jaw-dropping revelations build to a stunning conclusion. In concept and development, it resembles top-notch Arthur C. Clarke or Larry Niven but with a perspective—plots, mysteries, conspiracies, murders, revelations and all—embedded in a culture and politic dramatically unfamiliar to most readers in the West, conveniently illuminated with footnotes courtesy of translator Liu.
Remarkable, revelatory and not to be missed.Pub Date: Nov. 11, 2014
ISBN: 978-0-7653-7706-7
Page Count: 400
Publisher: Tor
Review Posted Online: Oct. 4, 2014
Kirkus Reviews Issue: Oct. 15, 2014
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
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