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A MAP OF THE EDGE

THE ISAAK COLLECTION

An atmospheric, eloquent depiction of teen angst and discovery in the twilight years of California’s counterculture era.

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A troubled teen experiences the freedoms and dangers of 1960s California youth culture in Isaak’s coming-of-age novel.

It’s 1969, four years since Rick Leibnitz’s mother fled their Redlands, California, home, taking his younger brother and sister away to escape beatings by Rick’s father. Fifteen-year-old Rick and his father have long “discarded any pretense of trying to get along.” His father tries to forcibly cut Rick’s long hair and reveals that Rick is his “only son.” For Rick, it’s an epiphany: “I almost laughed. The way I felt about him, how could I blame her? I’d leave me too.” Later, Rick is sitting outside his house when 17-year-old Stacy Slater, one of many girls who star in his masturbatory fantasies, stumbles up to a neighbor’s door. After no one answers, Stacy and Rick go to a nearby orange grove, where he loses his virginity to her. Stacy asks Rick to stash her drugs, and he gets picked up by the cops shortly thereafter. Sent to juvenile detention, Rick refuses to rat on Stacy and again resists getting a haircut. Leo Malheur, Rick’s “tall and coal-black” probation officer, brokers his release, although Rick’s father, who has moved to nearby Yucaipa, now plans to send Rick to military school the following year. Lincoln Ellard, a charismatic classmate at Rick’s Yucaipa school, helps Rick avoid this fate. The boys get a house together, where Lincoln leads intellectual “salon” discussions and lets Rick in on his drug running operations. Rick enjoys a psychedelic summer of sex and drugs until trouble arises, leading to another jail stint and new information that inspires him to hit the road to reconnect with his mother.

The articulate and introspective narrator observes and engages in a “trippy” world reminiscent of Bret Easton Ellis’ Less Than Zero, substituting the groovy late 1960s for the go-getter 1980s. As Rick muses at the end of the novel: “There were sick people among us, just as in any other generation, and hair and clothes and attitudes and drugs for them were nothing more than disguises they had donned. What had been glorious craziness in the summer looked more like actual madness in the fall.” The book packs a lot of characters and subplots into its pages, including finely etched moments focused on Rick’s probation officer, who strives for justice, is subject to racist remarks, and is in danger of being drafted. Lincoln is a marvelously drawn flawed-prophet figure who ultimately realizes he’s been “dangerously naïve.” The narrative very effectively captures a male teen’s sex-on-the-brain obsession with girls yet also fleshes out its female characters with thoughts and problems of their own. A particularly memorable sequence concerns a “pulling a train” event (group sex with one female and multiple male partners taking turns) at a party and the subsequent perspectives of both the girl involved and the girls who watched it happen.

An atmospheric, eloquent depiction of teen angst and discovery in the twilight years of California’s counterculture era.

Pub Date: N/A

ISBN: 9781958840047

Page Count: 192

Publisher: Utamatzi Inc.

Review Posted Online: April 27, 2023

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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