A vibrant, poetic celebration of Deafness, dance, nature, and self-advocacy.
A Deaf dancer learns to assert herself.
Preparing for the Carnival dance, Cesaria blissfully twirls barefoot on the beach: “She sings lyrics with her fingers. She raises her hands to the sky, to the birds, to the clouds.” When it’s time to perform, she dons her peacock costume: tutu, feathers, headdress…but no shoes (the better to feel the beat of the music). Perfect! But the director doesn’t think so. Though Cesaria protests that peacocks don’t wear shoes, he insists she wear them. Dismayed, Cesaria escapes to the shore: “The Earth radiates its heartbeat through her bare feet. Its tempo tickles her toes.” Reluctantly, she decides she can’t let down the other dancers. But when she rejoins her troupe, the Earth feels too still beneath her sandal-clad feet. Cesaria freezes, too…until she feels a sea breeze. Moved by “music only she can hear,” Cesaria “flaps her wings, stands proud,” and kicks off her shoes, urging her troupe to do likewise in a triumphant finale. Lyrical text evokes the rhythm of Carnival drums and lapping waves. Soares, who herself has hearing loss, poignantly expresses Cesaria’s joy, frustration, and pride. Lush jewel tones convey the bustle of Carnival and the peace of Cesaria’s beloved seashore. All characters are Black, with varying shades of brown skin; the setting appears to be Brazilian. An author’s note explains that the book was inspired by the experiences of Adusei’s Deaf cousin.
Pub Date: June 4, 2024
ISBN: 9781250824967
Page Count: 40
Publisher: Roaring Brook Press
Review Posted Online: March 23, 2024
Kirkus Reviews Issue: April 15, 2024
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)
Bewitched by the rhythms of jazz all around her in Depression-era Kansas City, little Melba Doretta Liston longs to make music in this fictional account of a little-known jazz great.
Picking up the trombone at 7, the little girl teaches herself to play with the support of her Grandpa John and Momma Lucille, performing on the radio at 8 and touring as a pro at just 17. Both text and illustrations make it clear that it’s not all easy for Melba; “The Best Service for WHITES ONLY” reads a sign in a hotel window as the narrative describes a bigotry-plagued tour in the South with Billie Holiday. But joy carries the day, and the story ends on a high note, with Melba “dazzling audiences and making headlines” around the world. Russell-Brown’s debut text has an innate musicality, mixing judicious use of onomatopoeia with often sonorous prose. Morrison’s sinuous, exaggerated lines are the perfect match for Melba’s story; she puts her entire body into her playing, the exaggerated arch of her back and thrust of her shoulders mirroring the curves of her instrument. In one thrilling spread, the evening gown–clad instrumentalist stands over the male musicians, her slide crossing the gutter while the back bow disappears off the page to the left. An impressive discography complements a two-page afterword and a thorough bibliography.
Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)Pub Date: July 1, 2014
ISBN: 978-1-60060-898-8
Page Count: 40
Publisher: Lee & Low Books
Review Posted Online: June 3, 2014
Kirkus Reviews Issue: June 15, 2014
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