Following on his Sibert Honor–winning Separate Is Never Equal (2014), Tonatiuh further marks himself as a major nonfiction...
Tonatiuh’s Mixtec-influenced illustrations make an apt complement to this picture-book biography of one of Mexico’s most beloved artists, José Guadalupe Posada.
Don Lupe, as he was called, used the printing techniques of lithography, engraving, and etching. Each technique is summarized in four-panel layouts, and sample images of his calaveras and calacas (skulls and skeletons) are liberally incorporated into the illustrations. Many of the iconic images associated with Día de los Muertos were created by Posada as integral elements of his world-renowned political satire, particularly during the Mexican Revolution. Tonatiuh skillfully blends his own distinctive style of digital collage and hand drawings not only to highlight events in Posada’s life, but also to add whimsical elements by introducing contemporary calaveras. He incorporates amusing, thoughtful exercises for young readers into the narrative, prompting them to interpret the messages behind Posada’s artwork. Also included is an in-depth author’s note on the history of the Day of the Dead and an extensive glossary. In addition, a bibliography, list of art credits, and venues where Posada’s art is displayed are provided for further exploration of Posada’s life and work. Phonetic pronunciation is, unfortunately, only sporadically and unevenly sprinkled throughout the story.
Following on his Sibert Honor–winning Separate Is Never Equal (2014), Tonatiuh further marks himself as a major nonfiction talent with this artistically beautiful and factually accessible offering that effectively blends artistic and political content for young readers. (Picture book/biography. 7-13)Pub Date: Aug. 25, 2015
ISBN: 978-1-4197-1647-8
Page Count: 40
Publisher: Abrams
Review Posted Online: June 5, 2015
Kirkus Reviews Issue: June 15, 2015
A picture book worth reading about a historical figure worth remembering.
An honestly told biography of an important politician whose name every American should know.
Published while the United States has its first African-American president, this story of John Roy Lynch, the first African-American speaker of the Mississippi House of Representatives, lays bare the long and arduous path black Americans have walked to obtain equality. The title’s first three words—“The Amazing Age”—emphasize how many more freedoms African-Americans had during Reconstruction than for decades afterward. Barton and Tate do not shy away from honest depictions of slavery, floggings, the Ku Klux Klan, Jim Crow laws, or the various means of intimidation that whites employed to prevent blacks from voting and living lives equal to those of whites. Like President Barack Obama, Lynch was of biracial descent; born to an enslaved mother and an Irish father, he did not know hard labor until his slave mistress asked him a question that he answered honestly. Freed by the Emancipation Proclamation, Lynch had a long and varied career that points to his resilience and perseverance. Tate’s bright watercolor illustrations often belie the harshness of what takes place within them; though this sometimes creates a visual conflict, it may also make the book more palatable for young readers unaware of the violence African-Americans have suffered than fully graphic images would. A historical note, timeline, author’s and illustrator’s notes, bibliography and map are appended.
A picture book worth reading about a historical figure worth remembering. (Picture book biography. 7-10)Pub Date: April 1, 2015
ISBN: 978-0-8028-5379-0
Page Count: 50
Publisher: Eerdmans
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
For every dreaming girl (and boy) with a pencil in hand (or keyboard) and a story to share. (Memoir/poetry. 8-12)
A multiaward–winning author recalls her childhood and the joy of becoming a writer.
Writing in free verse, Woodson starts with her 1963 birth in Ohio during the civil rights movement, when America is “a country caught / / between Black and White.” But while evoking names such as Malcolm, Martin, James, Rosa and Ruby, her story is also one of family: her father’s people in Ohio and her mother’s people in South Carolina. Moving south to live with her maternal grandmother, she is in a world of sweet peas and collards, getting her hair straightened and avoiding segregated stores with her grandmother. As the writer inside slowly grows, she listens to family stories and fills her days and evenings as a Jehovah’s Witness, activities that continue after a move to Brooklyn to reunite with her mother. The gift of a composition notebook, the experience of reading John Steptoe’s Stevie and Langston Hughes’ poetry, and seeing letters turn into words and words into thoughts all reinforce her conviction that “[W]ords are my brilliance.” Woodson cherishes her memories and shares them with a graceful lyricism; her lovingly wrought vignettes of country and city streets will linger long after the page is turned.
For every dreaming girl (and boy) with a pencil in hand (or keyboard) and a story to share. (Memoir/poetry. 8-12)Pub Date: Aug. 28, 2014
ISBN: 978-0-399-25251-8
Page Count: 336
Publisher: Nancy Paulsen Books
Review Posted Online: June 24, 2014
Kirkus Reviews Issue: July 15, 2014
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