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GRANDMA’S RECORDS

In his debut as an author, Velasquez, illustrator of The Sound That Jazz Makes (2000) tells an entertaining first-person story (presumably autobiographical) of an unnamed Puerto Rican boy in the ’50s who spends every summer with his grandmother in Spanish Harlem. The boy draws in his sketchbook as Grandma Carmen tells stories of her childhood in Puerto Rico and plays her much-loved records, especially her favorite song that she always listens to with one hand raised and her other hand over her heart. When the narrator and his grandma attend a concert by the most famous band in Puerto Rico, the band dedicates this special song to Grandma Carmen, and the audience members also listen with one hand raised and the other over their hearts. We learn along with the young narrator that “En Mi Viejo San Juan” is special to those of Puerto Rican heritage, capturing their longing for their homeland. The story ends with the grown narrator, now an artist in his own studio (painting this work’s cover), remembering his grandma and playing her favorite song on his modern sound system—with his hand over his heart. Several Spanish sentences and phrases are worked into the text (with English translations), and the words to Grandma’s song are also included in both Spanish and English. Velasquez is a talented painter whose illustrations capture the love between generations and the excitement of attending a live concert and meeting professional musicians. Thoughtful details add to the flavor of the period; tiny phonograph album covers fill the endpapers, historical artifacts to today’s readers. Although we can’t hear Grandma’s song, this heart-felt story has a melody of its own. (author’s note) (Picture book. 5-8)

Pub Date: May 1, 2001

ISBN: 0-8027-8760-6

Page Count: 32

Publisher: Walker

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2001

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BECAUSE YOUR DADDY LOVES YOU

Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)

Pub Date: May 23, 2005

ISBN: 0-618-00361-4

Page Count: 32

Publisher: Clarion Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2005

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GRANDMA'S GIRL

This multigenerational snuggle will encourage the sharing of old memories and the creation of new ones.

Hill and Bobbiesi send a humungous hug from grandmothers to their granddaughters everywhere.

Delicate cartoon art adds details to the rhyming text showing multigenerational commonalities. “You and I are alike in such wonderful ways. / You will see more and more as you grow” (as grandmother and granddaughter enjoy the backyard together); “I wobbled uncertainly just as you did / whenever I tried something new” (as a toddler takes first steps); “And if a bad dream woke me up in the night, / I snuggled up with my lovey too” (grandmother kisses granddaughter, who clutches a plush narwhal). Grandmother-granddaughter pairs share everyday joys like eating ice cream, dancing “in the rain,” and making “up silly games.” Although some activities skew stereotypically feminine (baking, yoga), a grandmother helps with a quintessential volcano experiment (this pair presents black, adding valuable STEM representation), another cheers on a young wheelchair athlete (both present Asian), and a third, wearing a hijab, accompanies her brown-skinned granddaughter on a peace march, as it is “important to speak out for what you believe.” The message of unconditional love is clear throughout: “When you need me, I’ll be there to listen and care. / There is nothing that keeps us apart.” The finished book will include “stationery…for a special letter from Grandma to you!”

This multigenerational snuggle will encourage the sharing of old memories and the creation of new ones. (Picture book. 5-8)

Pub Date: April 7, 2020

ISBN: 978-1-7282-0623-3

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: Jan. 20, 2020

Kirkus Reviews Issue: April 1, 2020

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