by Susanna Leonard Hill ; illustrated by John Joseph ‧ RELEASE DATE: Jan. 5, 2021
A thank-you note from grandchildren to grandmothers.
Celebrating the mutual-admiration society of grandmothers and grandchildren.
This upbeat text has the tone of an expanded greeting card. It begins with a child writing a note to Grandma (“Do you know you’re the best?”) and then continues to show how grandmothers offer unconditional love and acceptance in myriad magical and practical ways. The text’s sentiments are clear even when the sentence structure is not: “You’re grab pots and pans, / let’s make a band, / cheer up and bake / a rainy Saturday cake….” In this illustration, a grandma frosts a cake while singing into a wooden-spoon microphone; one grandchild pretends to strum a broom while two younger kids bang pots and pans. The whole family has brown skin and puffy black hair. It’s not all boisterousness. “Take a walk so we can talk, / hold my hand and understand / that sometimes things don’t go as planned.” Here, a young child with black braids walks with a grandma (rather improbably) wearing both a hijab and a bindi; both have brown skin. Bright cartoon illustrations of racially diverse generations show grandmothers and grandchildren actively swinging through a jungle and challenging a dragon as well as quietly engaging in pep talks and enjoying a seaside visit complete with sand castle building. Blank pages invite readers to add their own thoughts and pictures about grandma.
A thank-you note from grandchildren to grandmothers. (Picture book. 4-8)Pub Date: Jan. 5, 2021
ISBN: 978-1-7282-2261-5
Page Count: 32
Publisher: Sourcebooks Wonderland
Review Posted Online: Sept. 28, 2020
Kirkus Reviews Issue: Oct. 15, 2020
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by James Dean ; illustrated by James Dean ‧ RELEASE DATE: Sept. 18, 2018
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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by Kevin Jonas & Danielle Jonas ; illustrated by Courtney Dawson ‧ RELEASE DATE: March 29, 2022
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
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