A sublime joy.
Explore the magic of knowing yourself.
A small fey creature, perhaps a sprite or a pixie, in a lush landscape of flowers and greenery guides readers through a simple but profound examination of their self and their interactions with others. Emerging from their acorn-shaped home, the creature, which vaguely resembles a radish (in boots), goes about their interactions with other characters inspired by nature, such as a walking, mushroomlike friend and a tall, flowerlike chef. As they interact, thoughtful narration guides their day: “I have been / with my self / for a very long time. // MY self is not / YOUR self. / What is a self? / Is it INSIDE of us? / or OUTSIDE of us?” Each question accompanies a vignette of small acts, from buttoning up a coat to making a sandwich, but caregivers and educators will know that it’s more than that; each question and simple sentence is there to encourage dialogue and self-discovery from young readers. As the narration continues, readers learn what small things the creature likes about themself and their companions. The story is a study in self-awareness, one made stronger by the gorgeously detailed mixed-media illustrations and hand-lettered phrases that hark back to the aesthetics of the late 1960s and early 1970s. (This book was reviewed digitally.)
A sublime joy. (Picture book. 4-8)Pub Date: Sept. 27, 2022
ISBN: 978-1-77488-023-4
Page Count: 48
Publisher: Tundra Books
Review Posted Online: Sept. 13, 2022
Kirkus Reviews Issue: Oct. 1, 2022
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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