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'WORLD CITIZEN'

JOURNEYS OF A HUMANITARIAN

A stirring account of humanitarianism.

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Olson recalls her international social justice work in this inspirational debut memoir.

Born nine months after the bombing of Pearl Harbor, Olson grew up in a rural community in western Iowa. As a child, she was handed a prize pistol by her father only to accidentally drop it in the river. From that moment on, she “forever hated guns.” At 15, she gained experience penning articles and obituaries for her hometown newspaper, which compelled her to write with compassion, “hoping to ease the pain of those who grieved their loss.” Olson graduated from the University of Nebraska, where she majored in history and journalism, before taking on an editorial role with the Ypsilanti Press in Ann Arbor. Her husband, Ron, a law school graduate, worked in the Civil Rights Division of the Justice Department, and as a young wife and mother, Olson volunteered at Los Angeles organizations serving underprivileged children. The author notes that injustice always made her angry. Her first of numerous overseas forays was to Nicaragua during the Contras wars as part of a delegation to assess the threat of spreading communism. Working with humanitarian organizations, she later visited Eastern Europe during the fall of the Soviet Union and worked extensively throughout Africa, Asia, South America, and the Middle East addressing issues such as refugee conditions in the Caucasus and the HIV/AIDS crisis in Malawi. Olson also catalogs her roles in key organizations, such as chairing the International Board of Human Rights Watch and the Landmine Survivors Network.

Olson’s descriptive prose transports the reader to the many locations she traveled. For example, here she talks about Yugoslavia: “A light snow started falling, dropping big flakes that melted instantly on the windshield of our car, a wet snow that reminded me of early winters where I grew up in Iowa.” She goes on to tie trauma to the scene before her: “Snow always made the landscape look so clean. That thought struck me as ironic, since this war in the former Yugoslavia was called the ‘ethnic cleansing of Bosnia,’ and slaughter was anything but clean.” Olson also documents the atrocities that result from conflict. The author shares the story of Happy, a Rwandan genocide survivor and speaker at a conference focusing on war crimes against women, who describes the grisly discovery of a “seven-month-old baby drinking blood from his mother’s wounds” following a militia attack on a Catholic mission. In addition to writing about human pain, the author writes movingly about the power of human connection, describing a “deeply human kinship” she shared with Alma, a mother and former prostitute in Nicaragua who was “trying so hard to improve her life.” Driven to help others and bring about positive change, Olson recounts an extraordinary journey that describes the reality of conflict and injustices across the globe and across decades. This well-considered, affecting book may move others to follow a similar path.

A stirring account of humanitarianism.

Pub Date: Oct. 19, 2022

ISBN: 978-1-5136-9569-3

Page Count: 429

Publisher: Self

Review Posted Online: Oct. 19, 2022

Kirkus Reviews Issue: Dec. 15, 2022

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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LOVE, PAMELA

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

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The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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