A stunning, engaging subversion of the Bundy myth—and the true-crime genre.
This thinly veiled fictionalization of Ted Bundy’s attack on a Florida State University sorority begins with the horror rather than making it the climax.
As president of her sorority, Pamela Schumacher is used to staying up late to deal with paperwork while her sisters are out partying. The night of Jan. 15, 1978, is no different. Jarred awake at 3 a.m. after having fallen asleep with her clothes on, she hears running footsteps and sees a man heading for the front door. He can’t see her in the shadows—a fact that turns out to save her life, rendering her the only eyewitness to a horrible crime and a notorious criminal, “a man who murdered thirty-five women and escaped prison twice.” The novel goes on to follow several alternating timelines: From Pamela’s perspective, it builds from the day of the sorority murders and also follows her return trip to Tallahassee more than 30 years later in response to a mysterious letter. These chapters are interspersed with the 1974 story of Ruth Wachowsky, believed by her girlfriend, Tina Cannon, to have been one of the killer’s earlier victims. Knoll makes an interesting—and powerful—choice not to name Bundy at any point; Pamela asserts that she “vowed to stop using [his name]” because “there isn’t anything exceptionally clever” about him. Choosing not to name him deflates the myth of the monster, of the charmer, of the criminal genius that people often consider Bundy to be. As the title indicates, this novel belongs to the women: the ones killed because they were too kind to reject an “injured” man asking for help; the ones who lost people they loved; the ones who ultimately had to look him in the eye and not let it destroy their lives. There are twin threads of mystery that lead readers through the maze: the rumor of a suppressed confession tape and Ruth’s story. But in the end, it’s the latter that’s so much more important than the former. In this world of true-crime mania, Knoll knows that every choice—and every name—matters.
A stunning, engaging subversion of the Bundy myth—and the true-crime genre.Pub Date: Sept. 19, 2023
ISBN: 9781501153228
Page Count: 384
Publisher: Marysue Rucci Books
Review Posted Online: July 13, 2023
Kirkus Reviews Issue: Aug. 1, 2023
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A potent and surprising novel by the ever-reliable Crais.
Hired to find the father of celebrity “muffin girl” Traci Beller 10 years after his disappearance, PI Elvis Cole uncovers a nefarious plot that puts his life and those he contacts at risk.
The sweetly likable Traci, now 23, has amassed a huge following with her website, The Baker Next Door, and on social media. Against the advice and self-interest of the people who over-manage her career, she decides to find out what happened to her father. Cole quickly determines that he was last seen at the SurfMutt hamburger stand, where he gave a ride to Anya Given, a troubled 15-year-old whose mother, Sadie, was late in picking her up from the skate park across the street. With the reluctant help of a scattered young woman who used to work at the burger joint, Cole tracks down Anya and Sadie, who is eventually revealed to have a criminal past. For his efforts, he’s jumped by a small gang of men who send him to the hospital with the worst beating of his life. (Asked by a nurse what his name is, the best he can guess is “Los Angeles.”) Still in recovery, Cole and Joe Pike, his ex-Marine partner, trace his attackers to Sadie, with unexpected results. As ever, Crais draws the reader in via his protagonist’s casual, dryly humorous manner and the book’s relaxed ties to classic noir. Slowly but surely, the plot gains intensity and deadly purpose. Just when you think the missing persons case is solved, Crais ratchets things up with a devastating follow-through. This is the L.A. novelist’s 20th Cole mystery, following such efforts as The Watchman (2007) and Racing the Light (2022). It may be his most powerful.
A potent and surprising novel by the ever-reliable Crais.Pub Date: Jan. 14, 2025
ISBN: 9780525535768
Page Count: 400
Publisher: Putnam
Review Posted Online: Nov. 9, 2024
Kirkus Reviews Issue: Dec. 15, 2024
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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