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BRIGHT YOUNG WOMEN

A stunning, engaging subversion of the Bundy myth—and the true-crime genre.

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This thinly veiled fictionalization of Ted Bundy’s attack on a Florida State University sorority begins with the horror rather than making it the climax.

As president of her sorority, Pamela Schumacher is used to staying up late to deal with paperwork while her sisters are out partying. The night of Jan. 15, 1978, is no different. Jarred awake at 3 a.m. after having fallen asleep with her clothes on, she hears running footsteps and sees a man heading for the front door. He can’t see her in the shadows—a fact that turns out to save her life, rendering her the only eyewitness to a horrible crime and a notorious criminal, “a man who murdered thirty-five women and escaped prison twice.” The novel goes on to follow several alternating timelines: From Pamela’s perspective, it builds from the day of the sorority murders and also follows her return trip to Tallahassee more than 30 years later in response to a mysterious letter. These chapters are interspersed with the 1974 story of Ruth Wachowsky, believed by her girlfriend, Tina Cannon, to have been one of the killer’s earlier victims. Knoll makes an interesting—and powerful—choice not to name Bundy at any point; Pamela asserts that she “vowed to stop using [his name]” because “there isn’t anything exceptionally clever” about him. Choosing not to name him deflates the myth of the monster, of the charmer, of the criminal genius that people often consider Bundy to be. As the title indicates, this novel belongs to the women: the ones killed because they were too kind to reject an “injured” man asking for help; the ones who lost people they loved; the ones who ultimately had to look him in the eye and not let it destroy their lives. There are twin threads of mystery that lead readers through the maze: the rumor of a suppressed confession tape and Ruth’s story. But in the end, it’s the latter that’s so much more important than the former. In this world of true-crime mania, Knoll knows that every choice—and every name—matters.

A stunning, engaging subversion of the Bundy myth—and the true-crime genre.

Pub Date: Sept. 19, 2023

ISBN: 9781501153228

Page Count: 384

Publisher: Marysue Rucci Books

Review Posted Online: July 13, 2023

Kirkus Reviews Issue: Aug. 1, 2023

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HOME IS WHERE THE BODIES ARE

Answers are hard to come by in this twisting tale designed to trick and delight.

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Three siblings on very different paths learn that their family home may be haunted by secrets.

Eldest daughter Beth is alone with her fading mother as she takes her final breath and says something about Beth’s long-departed brother and sister, who may not have disappeared forever. Beth is still reeling from the loss of her mother when her estranged siblings show up. Michael, the youngest, hasn’t been home since their father’s disappearance seven years ago. In the meantime, he’s outgrown his siblings, trading his share of the family troubles for a high-paying job in San Jose. Nicole, the middle child, has been overpowered by addiction and prioritized tuning out reality over any sense of responsibility, much to Beth’s disgust. Though their mother’s death marks an ending for the family, it’s also a beginning, as the three siblings realize when they find a disturbing videotape among their parents’ belongings. The video, from 1999, sheds suspicion on their father’s disappearance, linking it to a long-unsolved neighborhood mystery. Was it just a series of unfortunate circumstances that broke the family apart, or does something more sinister underlie the sadness they’ve all found in life? In chapters that rotate among the family’s first-person narratives, the siblings take turns digging up stories and secrets in their search for solace.

Answers are hard to come by in this twisting tale designed to trick and delight.

Pub Date: April 30, 2024

ISBN: 9798212182843

Page Count: 270

Publisher: Blackstone

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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THE HOUSE ACROSS THE LAKE

A weird, wild ride.

Celebrity scandal and a haunted lake drive the narrative in this bestselling author’s latest serving of subtly ironic suspense.

Sager’s debut, Final Girls (2017), was fun and beautifully crafted. His most recent novels—Home Before Dark (2020) and Survive the Night (2021) —have been fun and a bit rickety. His new novel fits that mold. Narrator Casey Fletcher grew up watching her mother dazzle audiences, and then she became an actor herself. While she never achieves the “America’s sweetheart” status her mother enjoyed, Casey makes a career out of bit parts in movies and on TV and meatier parts onstage. Then the death of her husband sends her into an alcoholic spiral that ends with her getting fired from a Broadway play. When paparazzi document her substance abuse, her mother exiles her to the family retreat in Vermont. Casey has a dry, droll perspective that persists until circumstances overwhelm her, and if you’re getting a Carrie Fisher vibe from Casey Fletcher, that is almost certainly not an accident. Once in Vermont, she passes the time drinking bourbon and watching the former supermodel and the tech mogul who live across the lake through a pair of binoculars. Casey befriends Katherine Royce after rescuing her when she almost drowns and soon concludes that all is not well in Katherine and Tom’s marriage. Then Katherine disappears….It would be unfair to say too much about what happens next, but creepy coincidences start piling up, and eventually, Casey has to face the possibility that maybe some of the eerie legends about Lake Greene might have some truth to them. Sager certainly delivers a lot of twists, and he ventures into what is, for him, new territory. Are there some things that don’t quite add up at the end? Maybe, but asking that question does nothing but spoil a highly entertaining read.

A weird, wild ride.

Pub Date: June 21, 2022

ISBN: 978-0-593-18319-9

Page Count: 368

Publisher: Dutton

Review Posted Online: March 29, 2022

Kirkus Reviews Issue: April 15, 2022

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