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HEAVY

AN AMERICAN MEMOIR

A dynamic memoir that is unsettling in all the best ways.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2018


  • Kirkus Prize
  • Kirkus Prize
    finalist

A challenging memoir about black-white relations, income inequality, mother-son dynamics, Mississippi byways, lack of personal self-control, education from kindergarten through graduate school, and so much more.

Laymon (English and Creative Writing/Univ. of Mississippi; How to Slowly Kill Yourself and Others in America, 2013, etc.) skillfully couches his provocative subject matter in language that is pyrotechnic and unmistakably his own. He also uses an intriguing narrative form, directly addressing his divorced mother, a poverty-stricken single woman who became a political science professor at Jackson State University. As an obese black youngster, the author had to learn to absorb cruelty not only because of his size, but also because of his dark skin. The relentlessness of his mother’s love—she expected academic and behavioral perfection and employed corporal punishment with a belt—shaped Laymon’s character in ways both obvious and subtle. One of the main elements of the memoir is his resentment at white privilege and his techniques to counter it. “Every time you said my particular brand of hardheadedness and white Mississippian’s brutal desire for black suffering were recipes for an early death, institutionalization, or incarceration, I knew you were right,” writes the author. Of all the secondary themes, the impact of addiction—food, gambling, and drug use, but especially food—ranks next. Laymon hated himself for topping 300 pounds as a teenager. Then he got fanatical with exercise and near starvation, dropping down to 170—followed by a relapse of sorts as he began to approach 300 again. Far more than just the physical aspect, the weight he carries also derives from the burdens placed on him by a racist society, by his mother and his loving grandmother, and even by himself. At times, the author examines his complicated romantic and sexual relationships, and he also delves insightfully into politics, literature, feminism, and injustice, among other topics.

A dynamic memoir that is unsettling in all the best ways.

Pub Date: Oct. 16, 2018

ISBN: 978-1-5011-2565-2

Page Count: 256

Publisher: Scribner

Review Posted Online: June 17, 2018

Kirkus Reviews Issue: July 1, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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THE DISTANCE BETWEEN US

A MEMOIR

A standout immigrant coming-of-age story.

In her first nonfiction book, novelist Grande (Dancing with Butterflies, 2009, etc.) delves into her family’s cycle of separation and reunification.

Raised in poverty so severe that spaghetti reminded her of the tapeworms endemic to children in her Mexican hometown, the author is her family’s only college graduate and writer, whose honors include an American Book Award and International Latino Book Award. Though she was too young to remember her father when he entered the United States illegally seeking money to improve life for his family, she idolized him from afar. However, she also blamed him for taking away her mother after he sent for her when the author was not yet 5 years old. Though she emulated her sister, she ultimately answered to herself, and both siblings constantly sought affirmation of their parents’ love, whether they were present or not. When one caused disappointment, the siblings focused their hopes on the other. These contradictions prove to be the narrator’s hallmarks, as she consistently displays a fierce willingness to ask tough questions, accept startling answers, and candidly render emotional and physical violence. Even as a girl, Grande understood the redemptive power of language to define—in the U.S., her name’s literal translation, “big queen,” led to ridicule from other children—and to complicate. In spelling class, when a teacher used the sentence “my mamá loves me” (mi mamá me ama), Grande decided to “rearrange the words so that they formed a question: ¿Me ama mi mamá? Does my mama love me?”

A standout immigrant coming-of-age story.

Pub Date: Aug. 28, 2012

ISBN: 978-1-4516-6177-4

Page Count: 320

Publisher: Atria

Review Posted Online: June 11, 2012

Kirkus Reviews Issue: July 1, 2012

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