by Laura Dassow Walls ‧ RELEASE DATE: July 6, 2017
Thoreau has inspired so many esteemed biographies that it's difficult to claim any new one as definitive. However, Walls...
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A superbly researched and written literary portrait that broadens our understanding of the great American writer and pre-eminent naturalist who has too long been regarded as a self-righteous scold.
“A writer should have the precision of a poet and the imagination of a scientist,” wrote Vladimir Nabokov. In Henry David Thoreau (1817-1862), this formulation finds its fullest expression, and that’s only part of the story. Besides being a great prose stylist and the spiritual father of environmentalism, he was also the author of “Civil Disobedience,” which has served as a rallying cry for nonviolent protests ever since. For all that, he's hardly a beloved figure; he's the hermit of Walden Pond, the Concord solipsist sneering at the lesser mortals who lack his independence. In this magnificent new biography, Walls (English/Univ. of Notre Dame; The Passage to Cosmos: Alexander von Humboldt and the Shaping of America, 2009, etc.) effectively humanizes her subject. The man who will always be regarded by some as the great prig of American literature was deeply involved in 19th-century life. He worked every day, and not just as a relentless writer; he made his living as a handyman, carpenter, expert surveyor, and businessman who helped run his family’s pencil-manufacturing company. His friendships, most notably with Ralph Waldo Emerson and others in the transcendentalist movement, were tumultuous but enduring. He was a popular lecturer and an anti-slavery activist. He was also the literary artist who spent nearly a decade trying to describe a year on Walden Pond. The Thoreau on the pages of Walden, writes Walls, “is not the author who so carefully staged the book, but the book’s protagonist, who, in the course of the year and a day, is utterly changed by the experience.”
Thoreau has inspired so many esteemed biographies that it's difficult to claim any new one as definitive. However, Walls delivers a sympathetic and honest portrait that fully captures the private and public life of this singular American figure.Pub Date: July 6, 2017
ISBN: 978-0-226-34469-0
Page Count: 640
Publisher: Univ. of Chicago
Review Posted Online: May 15, 2017
Kirkus Reviews Issue: June 1, 2017
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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