This audacious collection surprises readers with the vivid lives few of us notice.
Nine stories of guile and instinct punch up the human predicament.
It’s no surprise that a book called Brawler should provoke, ambush, and, yes, gut-punch its readers. Those familiar with Groff’s supple fiction will expect this, combined with startling, pinpoint sentences: “Human decency could still overcome hunger, then.” These nine stories follow her earlier collections, Delicate Edible Birds (2009) and Florida (2018); the stories in Florida, named after her adopted home state, crackle with the urgency of precarious lives, and won the Story Prize. This latest is more geographically diffuse but still aflame with combustible characters in harrowing corners. The first story, “The Wind,” has a prosaic title and a haunting, generational imprint as three small children and their mother use the yellow school bus as cover to try to escape domestic violence. The perpetrator, their father, is a cop; their allies work with their mother at the local hospital. In 18 pages, the title lifts into stunning poignancy and leaves the reader breathless. The final story, “Annunciation,” is almost twice as long and, like “The Wind,” told in the first person. It begins when its young protagonist’s family skips her college graduation and sends instead “a dozen carnations dyed blue and a gift certificate to a clothing store for middle-aged women.” This glint of humor serves its purpose in a tale marked by a surprise ending and a capacious eye for the improvisations of young women. The mothers in this book are often absent, drunk, emotionally remote, or ridiculous, but never villains. Instead, Groff attaches her ethical acuity to their children. She appends an author’s note, providing a kernel of motive for each of her installments. “Brawler,” about an unruly teen diver with a dying mother, exists in the wake of her own history, Groff says: “I became a writer because I was a swimmer.” In the coiling dread and frank feminism of her work, this incandescent author makes clear with her newest fiction why she won the 2022 Joyce Carol Oates Prize.
This audacious collection surprises readers with the vivid lives few of us notice.Pub Date: Feb. 24, 2026
ISBN: 9780593418420
Page Count: 288
Publisher: Riverhead
Review Posted Online: Nov. 22, 2025
Kirkus Reviews Issue: Jan. 1, 2026
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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