Palmer brings wit and wisdom to her tale of love, damage and self-acceptance.
After escaping death in a school shooting, a mild-mannered woman begins to demand a little respect.
New headmistress at the Markham School Emma Dunham is beautiful and accomplished—a kind of Grace Kelly figure in the stuffy staff lounge. She is just the kind of woman speech therapist Frannie Reid would like to be, but that would require a kind of easy confidence she can’t imagine. Frannie does have a cheering team—Jill, a fellow therapist at Markham, and Lisa, a new science teacher. Their relationship is palpable—they swear and joke and snipe like real friends—and the two encourage Frannie to date since pompous Ryan, head of the history department, dumped her. On a rare faculty night out, she meets Sam. An architect working on an expansion to the school, he is handsome, has a lovely Southern drawl and really gets Frannie. It feels like kismet until the night of Emma Dunham’s birthday party at the school. Emma’s creepy husband Jamie walks in and shoots Emma in the head. He spins around and begins aiming at anyone close enough, and then Sam gets hold of the gun and shoots. Afterward Sam goes home with Frannie to change out of their bloody clothes, and they have desperate, frightened, bone-shattering, love-inducing sex. And then, they don’t see each other for a very long time. Sam is coming to terms with having killed a man (while being praised as a hero) and Frannie is wondering why the woman she wanted to emulate turned out to be an abused wife. Although the romance between Sam and Frannie has pull, Palmer spins a few enticing subplots: Frannie adopts Emma’s beautiful dog, Lisa and fellow architect Grady decide to marry after the shock of the shooting, Frannie contacts Emma’s estranged sister and finds that their childhood primed Emma for a life of abuse. All this has to happen before Frannie and Sam can decide whether their relationship can survive the shooting.
Palmer brings wit and wisdom to her tale of love, damage and self-acceptance.Pub Date: April 17, 2012
ISBN: 978-0-06-200746-9
Page Count: 336
Publisher: Morrow/HarperCollins
Review Posted Online: April 1, 2012
Kirkus Reviews Issue: April 15, 2012
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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