Lavinia Fontana, daughter of the painter Prospero Fontana, made lush Renaissance paintings that were sought after in 16th-century Italy. Hawes takes what is known of her life and creates a fictionalized tale of a complicated adolescence. Vini, as Hawes calls her, enlists one of her father’s apprentices to filch paper and chalk for her, as she needs to draw like she needs food or air. Her pompous father is dismissive of her and of her fragile mother, and it takes half of the story for Vini to confront him with her longing to be an artist and how she has worked to learn her craft. Hawes writes in the present tense, constructing it with an awkward dream sequence about a puppet theatre intersecting the text. That said, it has romance, pathos, and rather a lot about Renaissance painting techniques and methods of study. Flawed but vivid. (Historical fiction. 12+)
Pub Date: Sept. 27, 2004
ISBN: 0-618-43423-2
Page Count: 240
Publisher: Houghton Mifflin
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 1, 2004
Compulsively readable and brilliant.
A rare look at the youth-led rebellion that toppled Romania’s Ceaușescu.
Seventeen-year-old Cristian Florescu, with his spiky hair, love of poetry and English, and crush on Liliana Pavel, is as much of a rebel as it’s possible to be in Bucharest, Romania, in 1989. Communist dictator Nicolae Ceaușescu has been in power for 24 years, and most Romanians live in poverty, exporting what they produce to unknowingly fund Ceaușescu’s obscenely extravagant lifestyle. Wild dogs attack children in the streets, and secret agents are everywhere. When an agent confronts Cristian with evidence of treason—a single dollar bill tucked inside his notebook—and also offers medicine for Bunu, his sick grandfather, Cristian agrees to spy on the American diplomat family whose son he’s become friendly with. But as young Romanians gradually become aware that other countries have gained freedom from communism, they rise up in an unconquerable wave. Sepetys brilliantly blends a staggering amount of research with heart, craft, and insight in a way very few writers can. Told from Cristian’s point of view, intercut by secret police memos and Cristian’s own poetry, the novel crackles with energy; Cristian and his friends join the groundswell of young Romanians, combining pragmatism, subterfuge, hope, and daring. While the story ends with joy on Christmas Day, the epilogue recounts the betrayals and losses that follow. The last line will leave readers gasping.
Compulsively readable and brilliant. (maps, photos, author's note, research notes, sources) (Historical fiction. 12-18)Pub Date: Feb. 1, 2022
ISBN: 978-1-984836-03-8
Page Count: 336
Publisher: Philomel
Review Posted Online: Nov. 15, 2021
Kirkus Reviews Issue: Dec. 1, 2021
When Death tells a story, you pay attention. Liesel Meminger is a young girl growing up outside of Munich in Nazi Germany, and Death tells her story as “an attempt—a flying jump of an attempt—to prove to me that you, and your human existence, are worth it.” When her foster father helps her learn to read and she discovers the power of words, Liesel begins stealing books from Nazi book burnings and the mayor’s wife’s library. As she becomes a better reader, she becomes a writer, writing a book about her life in such a miserable time. Liesel’s experiences move Death to say, “I am haunted by humans.” How could the human race be “so ugly and so glorious” at the same time? This big, expansive novel is a leisurely working out of fate, of seemingly chance encounters and events that ultimately touch, like dominoes as they collide. The writing is elegant, philosophical and moving. Even at its length, it’s a work to read slowly and savor. Beautiful and important. (Fiction. 12+)
Pub Date: March 14, 2006
ISBN: 0-375-83100-2
Page Count: 512
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2006
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